“Seth material” search engine (Jane Roberts)

The theory of evolution,⁴ for instance, is an imaginative construct, and yet through its lights some generations now have viewed their world. It is not only that you think of yourselves differently, but you actually experience a different kind of self. Your institutions change their aspects accordingly, so that experience fits the beliefs that you have about it. You act in certain ways. You view the entire universe in a fashion that did not exist before, so that imagination and belief intangibly structure your subjective experience and your objective circumstances.

(10:10.) In all of the other imaginative constructs, for example, whatever their merits and disadvantages, man felt himself to be a part of a plan. The planner might be God, or nature itself, or man within nature or nature within man. There might be many gods or one, but there was a meaning in the universe. Even the idea of fate gave man something to act against, and roused him to action.

(All with much emphasis and irony:) The idea of a meaningless universe, however, is in itself a highly creative imaginative act. Animals, for example, could not imagine such an idiocy, so that the theory shows the incredible accomplishment of an obviously ordered mind and intellect that can imagine itself to be the result of nonorder, or chaos — [you have] a creature who is capable of “mapping” its own brain, imagining that the brain’s fantastic regulated order could emerge from a reality that itself has no meaning. Indeed, then, the theory actually says that the ordered universe magically emerged — and evolutionists must certainly believe in a God of Chance somewhere, or in Coincidence with a capital C, for their theories would make no sense at all otherwise.

The [fundamentalists] returned to an authoritarian religion in which the slightest act must be regulated. They gave release, and they are giving release, to the emotions, and are thus rebelling against scientific intellectualism. They will see the world in black-and-white terms again, with good and evil clearly delineated in the most simplistic terms, and thus escape a slippery, thematic universe, in which man’s feelings seemed to give him no foothold at all.