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NoME Part Two: Chapter 4: Session 824, March 1, 1978 8/36 (22%) Cinderella fairy tale godmother adult
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part Two: Framework 1 and Framework 2
– Chapter 4: The Characteristics of Framework 2. A Creative Analysis of the Medium in Which Physically-Oriented Consciousness Resides, and the Source of Events
– Session 824, March 1, 1978 9:40 P.M. Wednesday

[... 10 paragraphs ...]

(10:02.) The tale of Cinderella becomes a fantasy, a delusion, or even a story about sexual awakening, in Freudian terms. The disappointments you have faced indeed make such a tale seem to be a direct contradiction to life’s realities. To some extent or another, however, the child in you remembers a certain sense of mastery only half realized, of power nearly grasped, then seemingly lost forever — and a dimension of existence in which dreams quite literally came true. The child in you sensed more, of course: It sensed its own greater reality in another framework entirely, from which it had only lately emerged — yet with which it was intimately connected. It felt itself surrounded, then, by the greater realities of Framework 2.

The child knew “that it came from somewhere else” — not by chance but by design. The child knew that in one way or another its most intimate thoughts, dreams, and gestures were as connected with the natural world as blades of grass are to a field. The child knew it was a unique and utterly original event or being that on the one hand was its own focus, and that on the other hand belonged to its own time and season. In fact, children let little escape them, so that, again, they experiment constantly in an effort to discover not only the effect of their thoughts and intents and wishes upon others, but the degree to which others influence their own behavior. To that extent, they deal rather directly with probabilities in a way quite foreign to adult behavior.

[... 5 paragraphs ...]

Parents and physicians believe, instead, that the child is a victim, ill for no personal reason, but indisposed because of elements attacking him — either the outside environment, or [something] working against him from within. The child may be told: “You have a cold because you got your feet wet.” Or: “You caught the cold from Johnny or Sally.” He may be told that he has a virus, so that it seems his body itself was invaded despite his will. He learns that such beliefs are acceptable. It is easier to go along than to be honest, particularly when honesty would often involve a kind of communication his parents might frown upon, or the expression of emotions that are quite unacceptable.

[... 2 paragraphs ...]

When a person recovers from such an ordeal, he [or she] usually grants his recovery to be the result of the medication he has been given. Or he may think that he was simply lucky — but he does not grant himself to have any real power in such an affair. The recovery seems to occur to him, as the illness seemed to happen to him. Usually the patient cannot see that he brought about his own recovery, and was responsible for it, because he cannot admit that his own intents were responsible for his own illness. He cannot learn from his own experience, then, and each bout of illness will appear largely incomprehensible.

[... 4 paragraphs ...]

His belief, illogical as it sounded when spoken, contradictory as it seemed when applied to daily life, stated that the individual somehow could perceive the nature of reality on his or her own by virtue of innate capacities that belonged to the individual by right — capacities that were a part of man’s heritage. In other words, Ruburt felt that there was a slim chance of opening doors of knowledge that had been closed, and he decided to take that chance.

The results, appearing initially in that now-yellowed handwritten script, made him initially see that he had chosen the events of his life in one way or another, and that each person was not the victim but the creator of those events that were privately experienced or jointly encountered with others.

[... 2 paragraphs ...]

(11:26. Still in trance, Jane now came through with a few paragraphs of material for us. Among them was this insight, which Seth related to his discussion of the Cinderella fairy tale:)

[... 2 paragraphs ...]

1. At first Jane and I thought Seth was in error when he said “chariot” instead of “coach” or “carriage.” But from the dictionary we learned that in archaic terms a chariot could be a four-wheeled lightweight carriage, used either for pleasure or on certain affairs of state.

[... 2 paragraphs ...]

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