“Seth material” search engine (Jane Roberts)

Again, the writer or the artist also brings more into his work than the simple ability to write or paint. In one way or another all of his experience is involved. When you pay attention to Framework 1 primarily, it is as if you have learned to write simple sentences with one word neatly before the other. You have not really learned true expression. In your life you are writing sentences like “See Tommy run.” Your mind is not really dealing with concepts but with the simple perception of objects, so that little imagination is involved. You can express the location of objects in space, and you can communicate to others in a similar fashion, confirming the physical, obvious properties that others also perceive.

In those terms, using our analogy, the recognition of Framework 2 would bring you from that point to the production of great art, where words served to express not only the seen but the unseen — not simply facts but feelings and emotions — and where the words themselves escaped their consecutive patterns, sending the emotions into realms that quite defied both space and time.

Your Framework 1 life is, again, based on the idea that you have only so much energy, that you will wear out, and that a certain expenditure of energy will produce a given amount of work — in other words, that applied effort of a certain kind will produce the best results. In the same way, it is believed that the energy of the universe will die out. All of this presupposes “the fact” that no new energy is inserted into the world. The source of the world would therefore seem no longer to exist, having worn itself out in the effort to produce physical phenomena. In the light of such thinking, Framework 2 would be an impossibility.