1 result for (book:nome AND session:820 AND stemmed:perceiv)

NoME Part Two: Chapter 3: Session 820, February 13, 1978 3/29 (10%) Framework technique art monotony vaster
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part Two: Framework 1 and Framework 2
– Chapter 3: Myths and Physical Events. The Interior Medium in Which Society Exists
– Session 820, February 13, 1978 9:40 P.M. Monday

[... 6 paragraphs ...]

Even your concepts of creativity are necessarily influenced by Framework 1 thinking, of course, so our sessions do indeed follow a larger pattern than that, giving you certain perspectives from different angles in book dictation, and in other material. To some extent the larger creative pattern of the material, which does exist and is sensed, is nevertheless not directly perceived, for you are bound to perceive it piecemeal.

[... 5 paragraphs ...]

Again, the writer or the artist also brings more into his work than the simple ability to write or paint. In one way or another all of his experience is involved. When you pay attention to Framework 1 primarily, it is as if you have learned to write simple sentences with one word neatly before the other. You have not really learned true expression. In your life you are writing sentences like “See Tommy run.” Your mind is not really dealing with concepts but with the simple perception of objects, so that little imagination is involved. You can express the location of objects in space, and you can communicate to others in a similar fashion, confirming the physical, obvious properties that others also perceive.

[... 2 paragraphs ...]

It is not as if that vaster reality were utterly closed to your perception, for it is not. To some extent it is everywhere apparent in each person’s private experience, and it is obviously stated in the very existence of your world itself. The religions, in one way or another, have always perceived it, although the attempt to interpret that reality in terms of the recognized facts of the world is bound to distort it.

[... 12 paragraphs ...]

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