“Seth material” search engine (Jane Roberts)

Even your concepts of creativity are necessarily influenced by Framework 1 thinking, of course, so our sessions do indeed follow a larger pattern than that, giving you certain perspectives from different angles in book dictation, and in other material. To some extent the larger creative pattern of the material, which does exist and is sensed, is nevertheless not directly perceived, for you are bound to perceive it piecemeal.

In those terms, using our analogy, the recognition of Framework 2 would bring you from that point to the production of great art, where words served to express not only the seen but the unseen — not simply facts but feelings and emotions — and where the words themselves escaped their consecutive patterns, sending the emotions into realms that quite defied both space and time.

Give us a moment… Your world, then, is the result of a multidimensional creative venture, a work of art in terms almost impossible for you to presently understand, in which each person and creature, and each particle, plays a living part. Again, in Framework 2 each event is known, from the falling of a leaf to the falling of a star, from the smallest insect’s experience on a summer day to the horrendous murder of an individual on a city street. Those events each have their meaning in a larger pattern of activity. That pattern is not divorced from your reality, not thrust upon you, not apart from your experience. It often only seems to be because you so compartmentalize your own experience that you automatically separate yourself from such knowledge.