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NoME Part Two: Chapter 3: Session 820, February 13, 1978 5/29 (17%) Framework technique art monotony vaster
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part Two: Framework 1 and Framework 2
– Chapter 3: Myths and Physical Events. The Interior Medium in Which Society Exists
– Session 820, February 13, 1978 9:40 P.M. Monday

[... 1 paragraph ...]

(Session 819, which was held last Saturday evening, had nothing to do with Mass Events. In our opinion tonight’s session did, however, and for a number of reasons that will become obvious as it’s read. Yet Seth didn’t call it dictation.

(At lunch today I suggested to Jane that she put together a short book on the Frameworks 1 and 2 material Seth has given us since he introduced that concept in a private session last September 17, 1977. We’ve had 31 private or nonbook sessions since then, and a number of them contain information on Frameworks 1 and 2 — much of it relevant to that presented in Mass Events. I thought Jane might consider such a book project along with her other work. In a way the suggestion was my idea of trying to do something about Seth producing books within books, as I discussed in my opening notes for the 814th session; but Seth is so prolific that it seems we’ll never get all of his material published at this time.

[... 6 paragraphs ...]

When you are writing a regular book you draw upon associations, memories, and events that are known to you and others, that perhaps you had forgotten but that suddenly spring to mind in answer to your intent and following your associations. When an artist is painting a landscape, he might unconsciously compare hundreds of landscapes viewed in the past in multitudinous, seemingly forgotten hues that splashed upon the grass or trees, or as he seeks for a new creative combination. Art is his focus so that he draws from Framework 2 all of those pertinent data that are necessary for his painting. Not just technique is concerned, but the entire visual experience of his life.

[... 6 paragraphs ...]

Give us a moment… Your world, then, is the result of a multidimensional creative venture, a work of art in terms almost impossible for you to presently understand, in which each person and creature, and each particle, plays a living part. Again, in Framework 2 each event is known, from the falling of a leaf to the falling of a star, from the smallest insect’s experience on a summer day to the horrendous murder of an individual on a city street. Those events each have their meaning in a larger pattern of activity. That pattern is not divorced from your reality, not thrust upon you, not apart from your experience. It often only seems to be because you so compartmentalize your own experience that you automatically separate yourself from such knowledge.

[... 5 paragraphs ...]

We will most probably have to end the session, for there are points where the translation becomes most difficult. You [both] are privately at a time where you are ready to go ahead again, where the information given is catching up to you in time, so that there can be renewed bursts of comprehension, dream experiences, and other such events.

[... 5 paragraphs ...]

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