“Seth material” search engine (Jane Roberts)

As I try to increase your capacity for understanding, and to expand the scopes of your abilities, so in other kinds of worlds I do the same thing. While our meetings take place in your time, and in the physical space of your house, say, the primary encounter must be a subjective inner one, an intersection of consciousnesses that is then physically experienced.

(10:45.) Give us a moment… Now to some extent, you see, you are both involved, but in ways almost impossible for me to explain. Do not take this literally by any means. Portions of your consciousness are alive in mine, so you are to some extent carried along where I go, as motes of dust might be swept along with a brisk autumn wind from one area to another. (Humorously:) I am not comparing you with motes of dust by any means; to some extent, however, you do share in my journeys. You are carried above the land of your usual perception so that portions of you glimpse subjective states. These arouse your curiosity even when consciously you are not aware of perceiving them. That curiosity acts as impetus.

These frameworks, while I speak of them separately, exist one within the other, and each one impinges upon the other. To some extent you are immersed in all realities. In a strange fashion, and in this particular case, your conflict with your notes⁴ had to do with a sense of orderliness aroused by the need to assemble facts. But [this was] then carried over so that you wanted to keep your Roman (reincarnational) world and this [present] one separate and not merge them through association — as you did — so that it was difficult to know this when you did your sketches. Subjectively you wanted to put the worlds together, to explore the similarities and so forth, but practically you wanted to divide them for your notes.