1 result for (book:nome AND session:815 AND stemmed:time)

NoME Part One: Chapter 2: Session 815, December 17, 1977 8/40 (20%) television actors programs Framework screen
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part One: The Events of “Nature.” Epidemics and Natural Disasters
– Chapter 2: “Mass Meditations.” “Health” Plans for Disease. Epidemics of Beliefs, and Effective Mental “Inoculations” Against Despair
– Session 815, December 17, 1977 9:22 P.M. Saturday

(All right. Another long period — 10 weeks this time — has passed following Seth’s last session for Mass Events. Since this is the third such break between book sessions, it seems that Jane and I would be used to the idea by now. Actually, I’m more bothered than she is by such long intervals. I like to follow an endeavor through from start to finish in a reasonably direct manner. When the sessions don’t work out that way I can feel somewhat uneasy, while realizing at the same time that a number of compensating factors may be at work. In this case two distinct notions, one factual and one philosophical, helped keep me at ease.

(First, during that 10-week break Seth-Jane held a series of 18 sessions — excellent ones — that once again did not constitute dictation for Mass Events. Second, if one keeps in mind Seth’s ideas about simultaneous time, that basically all happens at once [even considering Seth’s own acknowledgment that time “…is therefore still a reality of some kind to me”], then it hardly matters how long a break transpires between particular sessions; there is no real separation; dictation on any subject or project can be resumed whenever all involved — Jane, Seth, and myself — choose, and it will be as though the break never existed. For in trance, Jane will once again be in accord with Seth in that nearly “timeless” environment in which he has a large portion of his being.1

(So we’ve decided to simply go along with however Mass Events works out in terms of length, whether that length involves time or the number of sessions. We do not plan to ask Seth when the book will be done. We have asked him to discuss his Framework 1 and 2 concepts for it, though, and he’s promised to do so; he’s had a good deal to say about those structures in the nonbook material Jane has delivered since the 814th session was held.

(As of now: I’m practically through with the appendixes for Volume 2 of “Unknown” Reality — which means I still have a number of notes to write for the book’s sessions per se, as well as much work to do for the Introductory Notes and the Epilogue. Soon after Tam Mossman suggested in early October that she do a book on her dream about Emir,2 Jane began work on that project with her usual enthusiasm. The dream became Chapter 1 of the book, and inspired the rest of it; she’s having great fun writing the story, and is sending it to Tam chapter by chapter as it comes out of her typewriter — a procedure she’s never followed before. She doesn’t know how long Emir will be. Late in October she signed her contracts for the publication of James, and delivered the finished manuscript at the end of November. Besides doing all of her own writing and newspaper work, Sue Watkins is close to finishing her part of the typing on the final manuscript for Seth’s Psyche; I still have to spend more time on some of the notes for it. Sue has also agreed that next year she’ll start helping me type my notes and appendix material for Volume 2 of “Unknown.”

[... 5 paragraphs ...]

(With some humor:) Ruburt and Joseph have recently purchased a color television set, so now their television world is no longer in black and white. I have used television as an analogy at various times, and I would like to do so again, to show the ways in which physical events are formed, and to try to describe the many methods used by individuals in choosing those particular events that will be personally encountered.

[... 3 paragraphs ...]

Now somewhere there is a program director, who must take care of the entire programming. Shows must be done on time, actors assigned their roles. Our hypothetical director will know which actors are free, which actors prefer character roles, which ones are heroes or heroines, and which smiling Don Juan always gets the girl — and in general who plays the good guys and the bad guys.

[... 19 paragraphs ...]

1. The basic simultaneity of time is the most fascinating of all of Seth’s ideas, I think. That “spacious present” holds all events side by side, ready to be interpreted in cause-and-effect fashion by the organizational abilities of our more limited physical senses. I wrote about reconstructing the past, simultaneous time, and dreams early in Note 2 for Session 801. Also see the material on Seth and his simultaneous time in the opening notes for the 806th session.

[... 3 paragraphs ...]

My piece is naturally tailored to my own beliefs and needs, of course, and some of its implications may become clearer to readers as Seth continues with his framework material in Mass Events. But I’m presenting my effort as close as possible to its time of conception so that each interested person can keep it in mind, and eventually write his or her own version of it for personal use. Jane has done this; we find that a daily casual reading of our respective “credos” concerning Frameworks 1 and 2 is valuable indeed. I wrote on October 26:

[... 1 paragraph ...]

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