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NoME Part One: Chapter 2: Session 815, December 17, 1977 4/40 (10%) television actors programs Framework screen
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part One: The Events of “Nature.” Epidemics and Natural Disasters
– Chapter 2: “Mass Meditations.” “Health” Plans for Disease. Epidemics of Beliefs, and Effective Mental “Inoculations” Against Despair
– Session 815, December 17, 1977 9:22 P.M. Saturday

[... 9 paragraphs ...]

(With some humor:) Ruburt and Joseph have recently purchased a color television set, so now their television world is no longer in black and white. I have used television as an analogy at various times, and I would like to do so again, to show the ways in which physical events are formed, and to try to describe the many methods used by individuals in choosing those particular events that will be personally encountered.

[... 3 paragraphs ...]

Now somewhere there is a program director, who must take care of the entire programming. Shows must be done on time, actors assigned their roles. Our hypothetical director will know which actors are free, which actors prefer character roles, which ones are heroes or heroines, and which smiling Don Juan always gets the girl — and in general who plays the good guys and the bad guys.

[... 2 paragraphs ...]

In this book I will try to tell you what goes on behind the scenes — to show you the ways in which you choose your daily physical programs, and to describe how those personal choices mix and merge to form a mass reality. For now, we will go back to television again. You can turn off a program that offends you. You can choose to buy or not buy a product whose virtues are being praised. Television presents you with a mirror of your society. It reflects and rereflects through millions of homes the giant dreams and fears, the hopes and terrors of events in the most private individual.

[... 21 paragraphs ...]

“I have the simple, profound faith that anything I desire in this life can come to me from Framework 2. There are no impediments in Framework 2. Framework 2 can creatively produce everything I desire to have in Framework 1 — my excellent health, painting, and writing, my excellent relationship with Jane, Jane’s own spontaneous and glowing physical health and creativity, the greater and greater sales of all her books. I know that all of these positive goals are worked out in Framework 2, regardless of their seeming complexity, and that they can then show themselves in Framework 1. I have the simple, profound faith that everything I desire in life can come to me from the miraculous workings of Framework 2. I do not need to be concerned with details of any kind, knowing that Framework 2 possesses the infinite creative capacity to handle and produce everything I can possibly ask of it. My simple, profound faith in the creative goodness of Framework 2 is all that is necessary.”

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