“Seth material” search engine (Jane Roberts)

We will call the world as you physically experience it, Framework 1. In Framework 1, you watch television programs, for example. You have your choice of many channels. You have favorite programs. You follow certain scenes or actors. You watch all of these dramas, hardly understanding how it is that they appear on your screen to begin with. You are certain, however, that if you do buy a television set it will perform in an adequate fashion, whether or not you are familiar with electronics. Period.

You switch from channel to channel with predictable results. The programming for Channel 9, for example, does not suddenly intrude on Channel 6. Even the actors themselves, taking part in such sagas, have but the remotest idea of events that are involved in order that their own images will appear on your television screen. Their jobs are to act, taking it for granted that the technicians are following through.

(9:40.) Now for a moment let us imagine that physical events occur in the same fashion — that you choose those which flash upon the screen of your experience. You are quite familiar with the events of your own life, for you are of course your own main hero or heroine, villain or victim, or whatever. As you do not know what happens in the television studio before you observe a program, however, so you do not know what happens in the creative framework of reality before you experience physical events. We will call that vast “unconscious” mental and universal studio Framework 2.

In that regard, certainly, everything works to your advantage. Indeed, often the more concerned you become with your body the less smoothly it functions. In the spontaneity of your body’s operation there is obviously a fine sense of order. When you turn on a television set the picture seems to come out of nowhere onto the screen — yet that picture is the result of order precisely focused.

Such events occur as a result of individual beliefs, desires, and intents. There is no such thing as a chance encounter. No death occurs by chance, nor any birth. In the creative atmosphere of Framework 2, intents are known. In a manner of speaking, no act is private. Your communication systems bring to your living room notices of events that occur throughout the world. Yet that larger inner system of communications is far more powerful in scope, and each mental act is imprinted in the multidimensional screen of Framework 2. That screen is available to all, and in other levels of consciousness, particularly in the sleep and dreaming stages, the events of that inner reality are as ever-present and easily accessible as physical events are when you are awake.