“Seth material” search engine (Jane Roberts)

In this book I will try to tell you what goes on behind the scenes — to show you the ways in which you choose your daily physical programs, and to describe how those personal choices mix and merge to form a mass reality. For now, we will go back to television again. You can turn off a program that offends you. You can choose to buy or not buy a product whose virtues are being praised. Television presents you with a mirror of your society. It reflects and rereflects through millions of homes the giant dreams and fears, the hopes and terrors of events in the most private individual.

Actors visit casting agencies so that they know what plays need their services. In your dreams you visit “casting agencies.” You are aware of the various plays being considered for physical production. In the dream state, then, often you familiarize yourself with dramas that are of a probable nature. If enough interest is shown, if enough actors apply, if enough resources are accumulated, the play will go on. When you are in other than your normally conscious state, you visit that creative inner agency in which all physical productions must have their beginning. You meet with others, who for their own reasons are interested in the same kind of drama. Following our analogy, the technicians, the actors, the writers all assemble — only in this case the result will be a live event rather than a televised one. There are disaster films being planned, educational programs, religious dramas. All of these will be encountered in full-blown physical reality.