“Seth material” search engine (Jane Roberts)

Now somewhere there is a program director, who must take care of the entire programming. Shows must be done on time, actors assigned their roles. Our hypothetical director will know which actors are free, which actors prefer character roles, which ones are heroes or heroines, and which smiling Don Juan always gets the girl — and in general who plays the good guys and the bad guys.

They also make choices as to which plays they will take part in. [Each has his or her] own favorite kind of role, even if the role be that of a maverick. To the actors, of course, their roles become strong parts of their personal experiences, while those who observe the plays take part largely as observers.

Actors visit casting agencies so that they know what plays need their services. In your dreams you visit “casting agencies.” You are aware of the various plays being considered for physical production. In the dream state, then, often you familiarize yourself with dramas that are of a probable nature. If enough interest is shown, if enough actors apply, if enough resources are accumulated, the play will go on. When you are in other than your normally conscious state, you visit that creative inner agency in which all physical productions must have their beginning. You meet with others, who for their own reasons are interested in the same kind of drama. Following our analogy, the technicians, the actors, the writers all assemble — only in this case the result will be a live event rather than a televised one. There are disaster films being planned, educational programs, religious dramas. All of these will be encountered in full-blown physical reality.