1 result for (book:nome AND session:815 AND stemmed:he)
4/40 (10%)
television
actors
programs
Framework
screen
[... 1 paragraph ...]
(First, during that 10-week break Seth-Jane held a series of 18 sessions — excellent ones — that once again did not constitute dictation for Mass Events. Second, if one keeps in mind Seth’s ideas about simultaneous time, that basically all happens at once [even considering Seth’s own acknowledgment that time “…is therefore still a reality of some kind to me”], then it hardly matters how long a break transpires between particular sessions; there is no real separation; dictation on any subject or project can be resumed whenever all involved — Jane, Seth, and myself — choose, and it will be as though the break never existed. For in trance, Jane will once again be in accord with Seth in that nearly “timeless” environment in which he has a large portion of his being.1
(So we’ve decided to simply go along with however Mass Events works out in terms of length, whether that length involves time or the number of sessions. We do not plan to ask Seth when the book will be done. We have asked him to discuss his Framework 1 and 2 concepts for it, though, and he’s promised to do so; he’s had a good deal to say about those structures in the nonbook material Jane has delivered since the 814th session was held.
[... 32 paragraphs ...]
3. Although this is the first session for Mass Events in which Seth had discussed Framework 1 and Framework 2, at the moment Jane and I are a good deal more familiar with his ideas concerning those fields of action than the reader is; see the opening notes for the last (814th) session. Since introducing them in the deleted, or nonbook session for September 17, Seth has at least mentioned the two frameworks in 17 of the 23 deleted sessions he’s given us since then.
He’d dealt with Frameworks 1 and 2 in only seven sessions, however, when I wrote a paragraph of suggestions about them on October 26. This spontaneous creation not only summarized what I’d learned from his new material so far, but gave me something I could read daily. I’ve pinned copies to walls in both my painting and writing rooms.
[... 2 paragraphs ...]
