“Seth material” search engine (Jane Roberts)

(First, after holding session 805 we took a six-week break from sessions of any kind. We didn’t plan to do this; it just developed, and we eventually realized that it did so through Jane’s simple need for a change in routine. We had plenty of other things to do: I was still occupied daily with writing notes and appendixes for Volume 2 of “Unknown” Reality; on June 4 Jane received the page proofs for Cézanne, and began correcting them for the printer; on the 14th of the month “our” contractor began converting half of our garage into a writing room for Jane, and adding a large back porch [see the end of Note 2 for Session 801]. All of that building activity was much noisier and more disruptive than the work had been for the front porch, and forced some changes in our schedules, including more night work, as we manipulated around those distractions.

(Going back to the end of our stay-at-home vacation, on June 25 Seth-Jane began delivering a series of 10 sessions that we held on Monday and Saturday evenings for a change, instead of following our usual Monday-Wednesday routine. We finally decided to classify these sessions as private, or at least as not being work for Mass Events. Some of that material is intensely personal, and some only generally so. But a lot of it isn’t intimate at all — meaning that it could help others if it were published. This realization brought up questions we’ve encountered before: Which sessions apply to a particular project, and which ones don’t? What if they’re related in oblique ways, yet Seth doesn’t call them book dictation? I may not realize I should ask him about this at the time, or only later begin to speculate about using certain material. We know that Seth will specify a given number of sessions for this book, for instance, yet we keep the freedom to consider adding other material.

You must remember the creativity and the open-ended nature of events, for even in one life a given memory is seldom a “true version” of a past event. The original happening is experienced from a different perspective on the part of each person involved, of course, so that the event’s implications and basic meanings may differ according to the focus of each participant. That given event, in your terms happening for the first time, say, begins to “work upon” the participants. Each one brings to it his or her own background, temperament, and literally a thousand different colorations — so that the event, while shared by others, is still primarily original to each person.

1. Sue Watkins has been mentioned, and at times quoted, in a number of Jane’s books: The Seth Material, Seth Speaks, Adventures in Consciousness, Psychic Politics, and both volumes of “Unknown” Reality. Jane started her ESP class in September 1967. We met Sue in September 1968; she began attending class a month later, and did so more or less regularly until the end of class in February 1975. At this time Sue is working on a novel of her own and co-editing a weekly newspaper in a small town some 50 miles north of Elmira, New York (where Jane and I live).