“Seth material” search engine (Jane Roberts)

(This is the first session for Mass Events since the last one, obviously — but with an 11-week gap between the two. How come? What were Jane and I doing all of that “time” — that nearly one-quarter of a year of our physical lives?

(Going back to the end of our stay-at-home vacation, on June 25 Seth-Jane began delivering a series of 10 sessions that we held on Monday and Saturday evenings for a change, instead of following our usual Monday-Wednesday routine. We finally decided to classify these sessions as private, or at least as not being work for Mass Events. Some of that material is intensely personal, and some only generally so. But a lot of it isn’t intimate at all — meaning that it could help others if it were published. This realization brought up questions we’ve encountered before: Which sessions apply to a particular project, and which ones don’t? What if they’re related in oblique ways, yet Seth doesn’t call them book dictation? I may not realize I should ask him about this at the time, or only later begin to speculate about using certain material. We know that Seth will specify a given number of sessions for this book, for instance, yet we keep the freedom to consider adding other material.

You must remember the creativity and the open-ended nature of events, for even in one life a given memory is seldom a “true version” of a past event. The original happening is experienced from a different perspective on the part of each person involved, of course, so that the event’s implications and basic meanings may differ according to the focus of each participant. That given event, in your terms happening for the first time, say, begins to “work upon” the participants. Each one brings to it his or her own background, temperament, and literally a thousand different colorations — so that the event, while shared by others, is still primarily original to each person.

It would be most difficult to operate within your sphere of reality without the pretension of concrete, finished events. You form your past lives now in this life as surely as you form your future ones now also.

In a quiet moment, off guard, you might remember an event from this life, but there may be a strange feeling to it, as if something about it, some sensation, does not fit into the time slot in which the event belongs. In such cases that [present-life] memory is often tinged by another, so that a future or past life memory sheds its cast upon the recalled event. There is a floating quality about one portion of the memory.

Any such moment is therefore a gateway into all of your existence. The events that you recognize as happening now are simply specific and objective, but the most minute element in any given moment’s experience is also symbolic of other events and other times. Each moment is then like a mosaic, only in your current life history you follow but one color or pattern, and ignore the others. As I have mentioned [in other books], you can indeed change the present to some extent by purposefully altering a memory event. That kind of synthesis can be used in many instances with many people.