“Seth material” search engine (Jane Roberts)

The physical world that you recognize is made up of invisible patterns. These patterns are “plastic,” in that while they exist, their final form is a matter of probabilities directed by consciousness. Your senses perceive these patterns in their own ways. The patterns themselves can be “activated” in innumerable fashions. There is something out there (humorously emphatic) to observe.

The sculptor’s creation is pragmatically realistic, in that it exists as an object, and can be quite legitimately perceived, as can your world. The sculptor’s statue, however, comes from the inner environment, the patterns of probabilities. These patterns are not themselves inactive. They are possessed by the desire to be-actualized (with a hyphen). Behind all realities there are mental states. These always seek form, though again there are other forms than those you recognize.

A chair is a chair for your purposes. As Ruburt speaks for me he sits in one. As you read this book you most probably lounge on a chair or couch or bench — all quite sturdy and real. The atoms and molecules within those chairs and couches are quite alert, though you do not grant them the quality of life. When children play ring-around-the-rosy, they form living circles in the air. In that game they enjoy the motion of their bodies, but they do not identify with those swirling circles. The atoms and molecules that make up a chair play a different kind of ring-around-the-rosy, and are involved in constant motion, forming a certain pattern that you perceive as a chair.