“Seth material” search engine (Jane Roberts)

Give us a moment… Your sense perception, physically speaking, is a result of behavior on the part of organs that seem to you to have no reality outside of their relationship with you. Those organs are themselves composed of atoms and molecules with their own consciousnesses. They have, then, their own states of sensation and cognition. They work for you, allowing you to perceive physical reality.

You perceive your body as solid. Again, the very senses that make such a deduction are the result of the behavior of atoms and molecules literally coming together to form the organs, filling a pattern of flesh. All other objects that you perceive are formed in their own way in the same fashion.

The physical world that you recognize is made up of invisible patterns. These patterns are “plastic,” in that while they exist, their final form is a matter of probabilities directed by consciousness. Your senses perceive these patterns in their own ways. The patterns themselves can be “activated” in innumerable fashions. There is something out there (humorously emphatic) to observe.

The sculptor’s creation is pragmatically realistic, in that it exists as an object, and can be quite legitimately perceived, as can your world. The sculptor’s statue, however, comes from the inner environment, the patterns of probabilities. These patterns are not themselves inactive. They are possessed by the desire to be-actualized (with a hyphen). Behind all realities there are mental states. These always seek form, though again there are other forms than those you recognize.

A chair is a chair for your purposes. As Ruburt speaks for me he sits in one. As you read this book you most probably lounge on a chair or couch or bench — all quite sturdy and real. The atoms and molecules within those chairs and couches are quite alert, though you do not grant them the quality of life. When children play ring-around-the-rosy, they form living circles in the air. In that game they enjoy the motion of their bodies, but they do not identify with those swirling circles. The atoms and molecules that make up a chair play a different kind of ring-around-the-rosy, and are involved in constant motion, forming a certain pattern that you perceive as a chair.

You perceive the atoms’ activity in that fashion. [Nevertheless] the agreement takes place at mental levels, and is never completely “set,” though it appears to be. No one perceives the same chair [all of the time], though perhaps a given chair will seem to be “the same one” seen from different angles.