“Seth material” search engine (Jane Roberts)

Environmental questions are being raised about man’s effects upon the world in which he lives. There is, however, an inner environment that connects all consciousnesses that dwell upon your planet, in whatever form. This mental or psychic — or in any case nonphysical — environment is ever in a state of flux and motion. That activity provides you with all exterior phenomena.

Give us a moment… Your sense perception, physically speaking, is a result of behavior on the part of organs that seem to you to have no reality outside of their relationship with you. Those organs are themselves composed of atoms and molecules with their own consciousnesses. They have, then, their own states of sensation and cognition. They work for you, allowing you to perceive physical reality.

Your ears certainly seem to be permanent appendages, and so do your eyes. You say: “My eyes are blue,” or “My ears are small.” The physical matter of those sense organs changes constantly, however, with you none the wiser. While your body appears quite dependable, solid, [and] steady, you are not aware of the constant interchanges that occur between it and the physical environment. It does not bother you one whit that the physical substance of your body is made up of completely different atoms and molecules than it was composed of seven years ago, [say], or that your familiar hands are actually innocent of any smallest smidgen of matter that composed them [even in recent times past].

You perceive your body as solid. Again, the very senses that make such a deduction are the result of the behavior of atoms and molecules literally coming together to form the organs, filling a pattern of flesh. All other objects that you perceive are formed in their own way in the same fashion.

The physical world that you recognize is made up of invisible patterns. These patterns are “plastic,” in that while they exist, their final form is a matter of probabilities directed by consciousness. Your senses perceive these patterns in their own ways. The patterns themselves can be “activated” in innumerable fashions. There is something out there (humorously emphatic) to observe.

(Long pause, one of many, at 10:04.) Your sense apparatus determines what form that something will take, however. The mass world rises up before your eyes, but your eyes are part of that mass world. You cannot see your thoughts, so you do not realize that they have shape and form, even as, say, clouds do. There are currents of thought as there are currents of air, and the mental patterns of men’s feelings and thoughts rise up like flames from a fire, or steam from hot water, to fall like ashes or like rain.

The sculptor’s creation is pragmatically realistic, in that it exists as an object, and can be quite legitimately perceived, as can your world. The sculptor’s statue, however, comes from the inner environment, the patterns of probabilities. These patterns are not themselves inactive. They are possessed by the desire to be-actualized (with a hyphen). Behind all realities there are mental states. These always seek form, though again there are other forms than those you recognize.

You cannot find any given dream location, either, within the brain itself. The solid matter of your world is the result of the play of your senses upon an inner dimension of activity that exists as legitimately, and yet as tantalizingly hidden, as an idea or a dream location.

(11:44.) Others have finished with their challenges; they want to die and are looking for an excuse — a face-saving device. However, those who choose such deaths want to die in terms of drama, in the middle of their activities, and are in a strange way filled with the exultant inner knowledge of life’s strength even at the point of death. At the last they identify with the power of nature that seemingly destroyed them.

(Long pause.) In that regard also, the activities of the inner environment are too fast for you to follow intellectually. Your intuitions, however, can give you clues to such behavior. A country is responsible for its own droughts, earthquakes, floods, hurricanes — and for its own harvests and rich display of products, its industry and cultural achievements, and each of these elements is related to each other one.