1 result for (book:ecs3 AND heading:"esp class session may 18 1971" AND stemmed:work)
[... 3 paragraphs ...]
I have tried to explain the God concept in many ways, using different vocabularies, speaking very simply; and yet because of the subject matter I see that it is not understood. You must also know that what I am telling you cannot be translated into words, and so you are getting at best a secondhand translation. Words cannot convey the message but working from the words you can obtain a portion of the reality behind them.
[... 6 paragraphs ...]
Now this inner drama cannot be understood by the ego, and so it is projected outward into external reality. Certain individuals, therefore, in history, certain geniuses, kings, priests, prophets, are touched by this light. All of the individuals living, in your terms, at that time have taken part in the same inner drama which is then exteriorized. The individuals then accept this projection upon themselves—the heroes, in other words, or the gods, or the prophets, or the kings. They are recognized intuitively when they appear on the exterior scene because in psychic life they have already been known, and in dream states these dramas have been worked out. They are recognized at once on the historical scene.
Now on the one hand their abilities and their power is based upon the inner ability and power of all of these, in your terms, alive in that particular era. However, they became what they seem to be for these chosen people have also accepted this role, and the exterior drama will be worked out in such a way that it makes sense within the time period in which it seems to take place. In this same framework, as the exterior drama begins to fade and as it has left meaning, in your terms, only now as time seems to pass, then once again the interior drama arises, but this time with a new story, with a different god and with new prophets; and as the old weakens so the new interior drama begins once more to arouse man from within his dreams, and again they choose and someone appears, or two or three, and a new drama is projected into external reality.
[... 60 paragraphs ...]
(To Mary Ellen.) Your work is legitimate. Continue with it.
[... 7 paragraphs ...]
([Gert:] “It’s when you go back to see if it worked...”)
[... 11 paragraphs ...]
The affair in the overall will work out well for you the situation as it now exists. It will work out in the framework that you now have. Do you follow me? The one detriment is an explosive nature on the part of the male involved under certain circumstances and certain conditions. A certain attitude on his part. This can be compensated for by an evenness of disposition on your part ...(tape was changed here, words missing) ...you need not manufacture such an attitude... work out should help give it to you. A feeling of inner confidence that he will sense.
[... 2 paragraphs ...]
(To group.) Soon I am going to have you work in class again with some experiments that you do on your own, and then all I shall do is sit and see how well you do. I bid you all a fond good evening (to Bette), even our cousin of Richelieu over there. Fine dandy or not. You also made an excellent pastry.
[... 12 paragraphs ...]