“Seth material” search engine (Jane Roberts)

Within each of you there are truths that you do not know, realizations of inner reality. Now your ego, your exterior self, focuses outward into physical reality. It senses this inner knowledge, but it cannot understand it. It wants to see inner knowledge projected outward onto the physical reality then, to some extent, it will accept it and so through the eons that you know this inner knowledge, this inner vitality is projected outward onto history and onto historical events as you understand them. I am giving you some advance reference from my book.

Now certain individuals, certain historical events, seem suddenly struck with inner brilliance. Certain men and women seem touched by some unseen light. They have extraordinary force, and this is the projection from the inner self of this inner light outward onto people and events. Now en masse there is an inner religious drama, if you will. An inner morality play if you want to use the term. I think that is a collegiate term, and that is why I am looking at you (Kris). It shows I am trying to relate.

Now this inner drama cannot be understood by the ego, and so it is projected outward into external reality. Certain individuals, therefore, in history, certain geniuses, kings, priests, prophets, are touched by this light. All of the individuals living, in your terms, at that time have taken part in the same inner drama which is then exteriorized. The individuals then accept this projection upon themselves—the heroes, in other words, or the gods, or the prophets, or the kings. They are recognized intuitively when they appear on the exterior scene because in psychic life they have already been known, and in dream states these dramas have been worked out. They are recognized at once on the historical scene.

Now on the one hand their abilities and their power is based upon the inner ability and power of all of these, in your terms, alive in that particular era. However, they became what they seem to be for these chosen people have also accepted this role, and the exterior drama will be worked out in such a way that it makes sense within the time period in which it seems to take place. In this same framework, as the exterior drama begins to fade and as it has left meaning, in your terms, only now as time seems to pass, then once again the interior drama arises, but this time with a new story, with a different god and with new prophets; and as the old weakens so the new interior drama begins once more to arouse man from within his dreams, and again they choose and someone appears, or two or three, and a new drama is projected into external reality.

Because you were looking for it, and it is a life you needed to know about. Now. There were other, gentler ones. But here you were denying your intellectual abilities and projecting outward upon others, a dislike that was of your own making. You were a fine dancer, and you were very good with the ladies, and within the framework of existence in which you dwelt, you had a good heart. Now that should make you feel better.

Because you projected this upon her, and at one time it was a very safe place to project such feelings. There was a relationship in the past but not a deep one. You were simply afraid of expressing the feelings in any capacity, and projected them, therefore, upon a person who subconsciously you felt would not be able to reciprocate. You very nicely projected them upon a person who was bonded as you were by all kinds of taboos, specifically against any such behavior, where they would be least reciprocated in physical terms, when any such action would automatically involve all kinds of guilt and retaliation, the most difficult position of which you could conceive. You would have projected them upon a priest, but this frightened you even more because the male relationship held for you a feeling of terror. You did not, you see, project them upon a person who could immediately answer them in kind, with no strings attached; but a relationship could be easy, open, and immediate.