1 result for (book:ecs3 AND heading:"esp class session may 18 1971" AND stemmed:abil)

ECS3 ESP Class Session, May 18, 1971 5/109 (5%) Gert dandy Ron Richelieu Janice
– The Early Class Sessions: Book 3 Sessions 1/5/71 to 5/18/71
– © 2010 Laurel Davies-Butts
– ESP Class Session, May 18, 1971 Tuesday

[... 11 paragraphs ...]

Now on the one hand their abilities and their power is based upon the inner ability and power of all of these, in your terms, alive in that particular era. However, they became what they seem to be for these chosen people have also accepted this role, and the exterior drama will be worked out in such a way that it makes sense within the time period in which it seems to take place. In this same framework, as the exterior drama begins to fade and as it has left meaning, in your terms, only now as time seems to pass, then once again the interior drama arises, but this time with a new story, with a different god and with new prophets; and as the old weakens so the new interior drama begins once more to arouse man from within his dreams, and again they choose and someone appears, or two or three, and a new drama is projected into external reality.

[... 19 paragraphs ...]

It is also highly charged to hide from yourself the fact that, as a cousin of Richelieu, you dwelt in a highly artificial intellectualized environment in which words were spoken about constantly without any understanding, and in which you personally held forth using words to cower both your friends and later the masses. And so now you pretend a vulgar, earthy, frank, common behavior that does not fit the inner self and yet fools you on an egotistical basis very well. However, it also serves to blunt your own abilities and to cause inner behavior that, again, is not suited to your capacities for it causes you to pretend not to understand that which you do well understand and therefore to block from your ego information that is otherwise quite plain.

Now you have a division neatly drawn for yourself; a framework in which you find yourself acting. A personality that you have set up for yourself, but the fact that you are coming to classes and using the intuitional abilities opens up a slight window in that artificial personality that you have adapted, for in your mind you think—  and if you will forgive me, I will speak for you, but you may make a rebuttal. You think: “I am frank, I am earthy, I am one of the common stock; I do not understand this high verbalized chatter. Those that have been to school understand these things, but I am left out. But I do not care for the words are meaningless and in me there is a frankness and vitality that these others do not have.”

Now that is one level, and on another level you think, “I am of the earth and strong and vital, and those who rely upon such thin, high, intellectual matter do not know what they are talking about. I can be brutal in my honesty but at least I am honest and I do not play with words.” And this is a personality that you have set up for yourself because behind it all in the French court you glorified in the use of words, in the high play of intellect in what now to you would seem to be surface, artificial qualities of stereotyped verbal behavior. You are quite able to follow any discussion in this room and it is about time that you realized it and used those intellectual abilities that are your own, and it is about time that you stopped telling yourself that you do not understand that which you well understand. I am onto you.

[... 14 paragraphs ...]

Because you were looking for it, and it is a life you needed to know about. Now. There were other, gentler ones. But here you were denying your intellectual abilities and projecting outward upon others, a dislike that was of your own making. You were a fine dancer, and you were very good with the ladies, and within the framework of existence in which you dwelt, you had a good heart. Now that should make you feel better.

[... 59 paragraphs ...]

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