1 result for (book:ecs3 AND heading:"esp class session march 2 1971" AND stemmed:me)
[... 6 paragraphs ...]
Now you must admit that I have set you some example. I laugh more than you do. It is true I have not cried, but if things continue as they are, I may be about to, for I want your entire self here and expressive. Now you show somewhat more of yourselves in class than you do in your usual life situations. Some one percent more. But to come truly alive, and to come truly alive in this room, you must show far more. It ill behooves me to have to tell you that it takes someone as long dead as I have been to tell you how to become truly alive.
[... 5 paragraphs ...]
I get the feelings, though the words escaped me, and to the feelings I agree.
[... 8 paragraphs ...]
(To Ned.) And no disappearing act will work, for wherever you can disappear to, I can follow and behind all your ostentatious openness there are closed doors. They are simply not as obvious as other people’s closed doors. There is one certain way to avoid detection by others and it is to appear so open that it will not occur to them that there is anything you are hiding, but you do not fool me.
[... 11 paragraphs ...]
([Arnold:] “You mean my background has lead me to do this?”)
[... 11 paragraphs ...]
(To Joel) Now what questions do you have stacked up in fine parcels for me?
[... 6 paragraphs ...]
Now I will let you take your sensitive break and barriers do not work with me.
[... 17 paragraphs ...]
Now you can feel free at this time to pass, but you cannot always pass. What I want you to do is to admit here the things that are important to you that you have not told. That is important to you, not to me, and not to anyone else in the room, but it is highly important to you. You all have more than one secret and there will be plenty of time for the rest of them and then you can dance through the grasses and I will lead you with a merry flute, indeed; and then you will not need me to lead you with a merry flute, for you will hear your own music and be able to follow it. These secrets, you know, very important to you, very important to you, are very jovial in the nature of All That Is and hardly significant in the nature of reality. Their importance is only in the secrecy that you have maintained and their charge only in the secrecy that you have maintained. It is time, you see.
[... 15 paragraphs ...]
Now my sensitivity session with you has barely begun but we will continue at another time and I will not be satisfied with these tidbits that you have thrown out for me. You are so negatively oriented that you automatically think your secrets must be negative ones, you see, and you think of them in negative terms where they are not negative. This has to do with the charge that you have built up about them. They are not negative. You hide them because you think they are. When you feel free to realize they are creative you will feel free to release them. And until you feel free you may keep your silence.
[... 2 paragraphs ...]