“Seth material” search engine (Jane Roberts)

Now you must admit that I have set you some example. I laugh more than you do. It is true I have not cried, but if things continue as they are, I may be about to, for I want your entire self here and expressive. Now you show somewhat more of yourselves in class than you do in your usual life situations. Some one percent more. But to come truly alive, and to come truly alive in this room, you must show far more. It ill behooves me to have to tell you that it takes someone as long dead as I have been to tell you how to become truly alive.

([Ned:] “Isn’t anger a feeling instead of something to be frowned upon? If you are mad at somebody, admit it to yourself instead of hitting them and without the physical contact, that will release the negative feeling you have toward that person?”)

Now you can feel free at this time to pass, but you cannot always pass. What I want you to do is to admit here the things that are important to you that you have not told. That is important to you, not to me, and not to anyone else in the room, but it is highly important to you. You all have more than one secret and there will be plenty of time for the rest of them and then you can dance through the grasses and I will lead you with a merry flute, indeed; and then you will not need me to lead you with a merry flute, for you will hear your own music and be able to follow it. These secrets, you know, very important to you, very important to you, are very jovial in the nature of All That Is and hardly significant in the nature of reality. Their importance is only in the secrecy that you have maintained and their charge only in the secrecy that you have maintained. It is time, you see.