1 result for (book:ecs2 AND heading:"esp class session novemb 17 1970" AND stemmed:creat AND stemmed:realiti)

ECS2 ESP Class Session, November 17, 1970 11/95 (12%) Rachel accident Ned Dennis hunting
– The Early Class Sessions: Book 2 Sessions 1/6/70 to 12/29/70
– © 2008 Laurel Davies-Butts
– ESP Class Session, November 17, 1970 Tuesday

[... 4 paragraphs ...]

Whenever you think that you have a headache simply because you have a headache; or you bump into a door simply because you bump into a door; or you have an accident simply because you happen to be in a particular place at a particular time; whenever you feel yourself powerless, then you think that accidents happen and that you have no control over them. The only answer is to realize that you form physical events, individually and en masse. And as I have said, time and time again, you form the physical reality that you know.

[... 38 paragraphs ...]

(To Sue.) Now this one over here. You are doing very well, as you know, in your dream work. You are doing well in your creative work also, and in your writing. You forget there are problems you must work through, and that in the struggle to create further creativity results. If you are satisfied with less, then you do not search further. Now, Ruburt’s way is too expensive. Your way you can pay, do you see the difference? You have your own way. It is too expensive to try to follow someone else’s way, and that is the message of the dream. Also, remember your own childlike self and the two of you, when you think of your son, imagine what you were like at that age and how difficult it was to communicate to your parents.

[... 7 paragraphs ...]

It was a combination of several things. Now, give Ruburt back his wine, and I will tell you. First of all, there were some elements of fear combined with fear having to do with underlying fears that you are having difficulty—in the physical universe, and you acted this out with the hand. This also had to do something with the leg and the foot difficulties earlier, both being limbs and objects of manipulation in physical reality. Now, the hand also represents freedom. The incident represents two opposites. One of freedom as the hand, as a hand being able to rise. And the other, lack of freedom, as for example, the hand not being able to move. You were objectifying, in your mind, two opposites and attempting to correlate them. Do you follow me?

[... 1 paragraph ...]

You think about it. There are some other connections. Give us a moment. Five, representing the five fingers and the ways in which the hand itself, with the five fingers, can operate in physical reality. Now these are symbolic images that you are not consciously aware of that were, however, behind the incident. They are objects, the five fingers, of manipulation in physical reality.

[... 16 paragraphs ...]

Then allow yourself greater freedom. Now the intellect can be used and should be used beautifully to help you in your search but not when you use it as a shield to protect yourself against true reality. Now, you are progressing as your dreams show, and I am aware of that progression and so are you. Do not judge yourself against the performance of anyone else in this class. You are yourself, you have your own background to contend with and so when I tell you you are progressing I mean that wholeheartedly.

(To Ned and Sue.) I will have something to say to you, and to you, at another time when class is not involved, but I want you to jump together on the same stick. Did that come across? It will hold the both of you. Reality is not so precarious that you cannot both do your own thing and find a secure framework to hold you, for it will indeed.

There is no accidental universe. You create the accidents. You create the triumphs. Now, each of you create the ambiguous universe that you live in, and you project your ideas of reality upon it.

[... 3 paragraphs ...]

You magnify the differences of culture as a background and idea instead of realizing that you are both human beings embarked on a magnificent adventure. Travelers in a space and time that you have both created. Actors wearing different masks, but in a play that you have both created.

[... 8 paragraphs ...]

Now, I have been both a mother and a father many times and so I understand your problem but the fact is this. When you are a parent it is impossible for you to completely remember your own childhood or to understand the feelings of consciousness that are growing at that time. Now, as a parent, your chore is to train a consciousness to manipulate in physical reality. The consciousness, by that time, far more free than your own and you are quite jealous of their spontaneity and of their inner understanding. They do not have to hoe the line as you do and yet, you are supposed to teach them how to hoe the line.

([Gert:] “Is this a force that I personally feel or our cultural or this physical universe that we have created?”)

It is largely cultural in your particular environment. Now, in some native cultures this is not true, but you are learning to encourage spontaneity, and yet within certain areas there must be a concentration of abilities in the physical line and in this extent you are a teacher and you are learning as you teach them. You also experience their own frustrations, and this makes you angry. When you were a child you could be angry at the parent. When you are a parent you can feel the child’s anger but you do not know what to do. When you are a child you can blame the parent. When you are a parent there is no one to blame. Therefore, you are forced to ask about the nature of reality. You are angry because you do not understand, as yet, the nature of reality and you have no answers but you can learn the proper questions. You can learn to experience again that spontaneity and to encourage it.

[... 6 paragraphs ...]

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