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ECS2 ESP Class Session, November 10, 1970 7/65 (11%) flute Louise music tale wink
– The Early Class Sessions: Book 2 Sessions 1/6/70 to 12/29/70
– © 2008 Laurel Davies-Butts
– ESP Class Session, November 10, 1970 Tuesday

[... 6 paragraphs ...]

You dealt strongly with martial music and, in these terms, the music was used as a method of discipline rather than for freedom or spontaneity. You found that music had many purposes and uses and could be used in many ways, not only to inspire but to incite. To inspire love or to incite to violence. 1832 there to 1856, a very short life, under I believe a czar, and during this life, you met your present husband who was a young girl, the brother (sister?) of one of your students. This brief life taught you strongly, however, that music, as a portion of creativity, could be violently used by the state and by authority. You were at the time, extremely dogmatic, and you did not allow yourself full freedom with your instrument or with your life. You needed to know, however, the powers of music and the ways in which it could be used so that you would use it wisely, so there is no need to brood.

[... 4 paragraphs ...]

You are all portions of your own higher identity, your own multidimensional selves. Now these selves know how to heal, and in the dream state they will indeed do so if you allow them to. You carry many of your misconceptions into certain areas of your dream reality and even there you close many doors.

Each of you automatically heal yourselves day by day, as you know. Cells die and are born. You renew your bodies every seven years, all without your conscious knowledge. You use the energy of the universe to heal yourselves constantly, but you have very definite conceptions of how this healing can take place and what is possible and what is not possible. You expect the cells of your body to be replaced. You expect your image to continue day by day, although the physical matter of your image today has not one atom or molecule within it that was a portion of your image ten years ago. The bodies that you had ten years ago are dead and gone, and you never missed them, and you do not feel dead.

[... 4 paragraphs ...]

I want each of you to understand, however, that you have these abilities and you use them. When you cut your finger the flesh is made new. This is done automatically by a portion of yourself that is not conscious but is very vital and very real. You are kept alive as you listen to me and yet you do not understand what keeps your body alive and functioning. This is taken care of by the inner self and if you trust it, it will keep you in excellent health. Whenever you doubt it then you have need of doctors and nurses and it is good to have them if there is no other place to turn.

[... 3 paragraphs ...]

Now, if I may say so, you have beautiful eyes (to Louise). You create them yourself. You are responsible, therefore, for them. They represent a portion of you that you are materializing in physical reality with great success. Is that, then, psychosomatic working backward?

[... 16 paragraphs ...]

In this very, very distant time, these people who were very gifted, and are still very gifted, these people looked about them. They had a dream. They were, in a strange way, mathematicians and scientists, but in a way that had nothing to do with physical space or physical theories, and they imagined out of their great power, a dimension of reality in which there were trees and fields and physical beings with physical bodies; skies that were blue; water that fell down from the sky. And out of their great creativity and from themselves because, in your terms, in your terms, they were a race of gods. They conceived a dimension of reality in which these things would, indeed, exist and from themselves they sent out portions of their own entity and consciousness. And when I say that they did this, they did it joyfully and with a great exuberance and yet, also, they felt this portion of their own consciousness leave them and escape from them and so, to some extent, they cried to see a portion of themselves forever leave and yet they did this that you might have existence and song.

And so, in this children’s tale, that is given to you in parable and in symbol, you came to have your being and yet when this universe, as you know it, was then brought into existence, you had to forget momentarily where you came from and you had to be created in flesh so that you could experience, in flesh, this new portion of creativity and so that you could, in your turn, create from that of which you were physically made and so you forgot your heritage, on purpose in a way. And you found yourself upon a physical planet and all the stars blazed on, and you opened your eyes and found infinite possibilities and a virgin physical reality that you could shape to your heart’s desire and in which you could give your creativity full rein. And those from whom you originated watched and when great clouds scurried across your primitive skies in those days those who had originated you came down and you saw them and wondered.

[... 24 paragraphs ...]

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