“Seth material” search engine (Jane Roberts)

In the third quarter of your life there was some strong physical difficulty that prevented you from plying your trade, and during this period more and more you began to emphasize in your mind the reality of this strange instrument called the piano, and in your mind you composed for it. You were connected with a man named Aurelius. He was a statesman and you were for some time connected with his household. Your music was your god and your purpose for living. You gave it everything that you had, and in 18th-century Germany you became a well-known pianist. Now give us a moment. The name appears to be—the last name Ramburg, the first name, I believe, though I am not as certain, Marc. Now your middle name was Aurelius and it was a throwback. There was a small town near Hamburg and here you were a teacher of music, and a pianist in a school that seemed to be connected with a gymnasium or the school was called a gymnasium.

([Louise:] “It could be, but I am not aware of things.”)

You are aware of your body as you know it, and you form it, but this you do not yet realize. Therefore, the point I am trying to make is that you form your own illnesses and your own physical defects but you also form your entire physical being, and the good points of your physical image are also your own work. Now I will let you continue with your break.

You can get rid of all the illness when you realize that you have the habit of creating and drawing it to you out of fear. What you fear most you draw to yourself. Instead you must concentrate upon what you want and do not be so worried about where I am, just listen to what I have to say for now. You can learn to concentrate upon what you want and draw that to yourself and you can learn and without too much difficulty, to completely restructure the health habits of your family.

I have seen many starers in my day, but I have never seen a starer such as this one, and if there are holes in our poor friend Ruburt’s back, when the session is over then you had better stuff them with cotton, but know where they came from. Now when I choose to stare at you, you will know that you have been stared at. I will have more to say about healing this evening, but I am going to let you take a break so that our friend here can beat her weary way home.

(After break:) Now, pull your chairs up closer and I will tell you a story. Closer. Our brooder too. Now, I am going to drink some of this, though it is not good brandy. It is good wine, but it is not good brandy.

Now, I am glad you liked my children’s tale. I do want to give our friend (Jane) more of a break, however, but let me tell you that in my own book I am not using children’s tales. You have been given children’s tales too often. Now they are lovely and there is meaning in them, and you here should understand the meaning of the tale I gave you. But beneath the stories of the beginning there are other things that you should know, and in my own book I will tell you what they are. And now, you see, I do not interrupt.

I enjoy talking with you, and I have spoken to you in the dream state, and you did not remember, but I am used to that. I will shortly leave so that you can all go home but I have not said good evening yet.