1 result for (book:ecs2 AND heading:"esp class session march 17 1970" AND stemmed:brad)
(The first part of the class session was devoted to the playback of a counseling interview Brad had with Dr. Gilbert Holloway. The members of the class were being asked their reactions when Seth interrupted with the following observations:)
[... 5 paragraphs ...]
([Brad:] “I would like that.”)
[... 1 paragraph ...]
([Brad:] “I guess I am inclined to be a follower...”)
[... 1 paragraph ...]
([Brad:] “I no longer have the confidence in my wisdom.”)
[... 2 paragraphs ...]
([Brad:] “Will the pendulum give me access to my own resources?”)
[... 3 paragraphs ...]
([Brad:] “It is just that after so many job rejections I have begun to feel that maybe they are right; if my last prospect, a good one, does not come through, I cannot help but feeling that it is truly the end. “)
[... 1 paragraph ...]
([Brad:] “No. I have told my contact at Corning that I will take any job there that is available. And I sincerely mean that.”)
[... 1 paragraph ...]
([Brad:] “Emotional needs?”)
[... 4 paragraphs ...]
([Florence;] “If we have relationships in our lives which are emotionally necessary—as Seth said was the case with Brad and his wife...”
([Jane:] “Brad should look into the reasons why he felt it necessary to stay with his wife.”
[... 3 paragraphs ...]
([Florence:] “So it would be necessary for Margo [Brad’s wife] to change too.”)
Your (to Brad) attitude, changed, will automatically alter her attitude as she reacts to the change in yours. You give each other subconscious cues to which you then react. You can change the cues that you give, and therefore intensely alter the situation, and lead her to self-knowledge.
([Brad:]“This means that 1 have to be a much stronger personality.”)
[... 1 paragraph ...]
[(Brad:] “It isn’t too late to change in order to get her back?”)
[... 1 paragraph ...]
([Brad:] “I want her back.”)
[... 1 paragraph ...]
([Brad:] “And she makes $18,000 a year.”)
[... 14 paragraphs ...]
They do not come to you necessarily in church or when you are playing the fine banker’s role; or when you (Brad) are playing the failure’s role, for you play the role of the failure as beautifully as he plays the role of the banker, and with as much finesse if that makes you feel any better.
[... 5 paragraphs ...]
([Brad:] “In tatters.”)
[... 30 paragraphs ...]
Now here we have a fine and substantial figure (Brad). If this much energy can come through this small frame, then why do you not use the energy that is available through your own.
([Brad:] “I will.”)
[... 7 paragraphs ...]