“Seth material” search engine (Jane Roberts)

My own role in the physical production of Dreams is far from over, however. In notes at the end of this session I’ll briefly consider the latest expressions of large-scale consciousnesses concerning Three Mile Island¹ and the countries of the Middle East,² and then will unify those discussions by explaining how I think those great events of consciousness have counterpart relationships, just as “living” entities do.³ I’ll also refer to our country’s space-shuttle program.⁴ Next, I have to put into final form the complicated notes I began for a number of sessions for Dreams as Jane delivered them. After that will come the job of typing the finished manuscript for this massive two-volume work; I do not know when I’ll have it ready for our publisher. And therein lies another reason for our somber moods: Our dear friend and editor, Tam Mossman, almost certainly will not see Dreams through the publishing process. Tam has grown restless; he needs a change; he plans to leave Prentice-Hall.⁵

I can’t note the same for The Magical Approach to Reality: A Seth Book—the very promising work that Jane and I first discussed a year and a half ago [in August 1980], after Seth had started his group of excellent private sessions on that subject.⁸ I watched Jane try to write the book a number of times; last month, in Note 6 for Session 939 [in this chapter], I finally expressed the opinion that she wouldn’t finish the job. Or, to put it another way, Magical Approach has yet to undergo a resurrection by her! But obviously Jane has the freedom to engage in any project, and she chooses not to follow through with some of them. I think Magical Approach would have been a fine book as she planned it—but that it ended up squelched by at least two major factors: She was too inhibited by the subject matter [her physical symptoms] out of which the magical approach material had grown, and she was bothered because she had chosen to emulate the plodding way in which I put together the Seth books. That way didn’t allow her the creative freedom to spontaneously plunge ahead. As I wrote in Note 6 [for the 939th session], eventually I might try assembling such a work myself.