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[... 5 paragraphs ...]
Nothing taught that you were creatures. I have been trying to lead you into a new threshold of perception, where the old myths of evolution can be seen as outmoded, ancient or forsaken castles amid a forest of beliefs—a forest that is indeed itself a magically formed one. (Very long pause.) The forest is the world of your imagination, surely, the imagination of your minds, and yet given force and power by the innate creativity that rises up from an inner world that represents much more truly the origins of man and beast. That world has been largely hidden by the camouflages shed by science and religion alike, but in your times the landscape began to appear so dark and threatening, so forbidden and alien to your own desires, that its end seemed all the more inevitable and swift.
I hope I have given you in this book a far more gallant and true picture, that represents the origin of your life, structure and being and thought. The inner world of reality, the world of dreams, presents a model of existence in which new energy, vitality, and being is everywhere apparent, ready to come forward to form new transformations, new combinations of energy and desire.
That inner psychological universe is a psychic gestalt, propelled, formed, sustained or driven by value fulfillment, love and desire, by the loving values that have no limit (intently). The universe does not give up on itself, or on any of its creatures. It is ruled by a different set of principles, a different set of values, and by inner cooperative exuberance.
[... 9 paragraphs ...]
My own role in the physical production of Dreams is far from over, however. In notes at the end of this session I’ll briefly consider the latest expressions of large-scale consciousnesses concerning Three Mile Island1 and the countries of the Middle East,2 and then will unify those discussions by explaining how I think those great events of consciousness have counterpart relationships, just as “living” entities do.3 I’ll also refer to our country’s space-shuttle program.4 Next, I have to put into final form the complicated notes I began for a number of sessions for Dreams as Jane delivered them. After that will come the job of typing the finished manuscript for this massive two-volume work; I do not know when I’ll have it ready for our publisher. And therein lies another reason for our somber moods: Our dear friend and editor, Tam Mossman, almost certainly will not see Dreams through the publishing process. Tam has grown restless; he needs a change; he plans to leave Prentice-Hall.5
[... 47 paragraphs ...]