“Seth material” search engine (Jane Roberts)

Jane worked less and less as the holiday season approached, although on December 15 she gave her fourth private session; its most evocative subject matter—art and child psychology—is separate from our themes for Dreams. We saw only a few friends. I was busier than ever, however: running the house, preparing for Christmas, helping my wife in various ways, working on the earlier notes for Dreams and trying to accumulate some painting time. Jane didn’t do any more on her manuscript for Magical Approach, nor anything about obtaining the medical help she’d mentioned on the first of December. Our program of self-help gradually began to diminish, as had many of them before.⁸ Finally, in an effort to cheer up Jane one day as she sat idly at the typing table in her writing room, I tried a variation of a tactic that had worked so well for her inception of Seth’s The Nature of the Psyche almost six and a half years ago: This time, standing in back of her, I put my arms around her and rolled a clean sheet of paper into her typewriter—but here’s the note she wrote the next day:

2. Six months ago, I described how Floyd Waterman had helped me rebuild a narrow old straight chair for Jane, and equip it with casters, so that I could more easily steer her into certain parts of the hill house. In Session 931 for Chapter 9, see the opening notes following superscript number 14.

I like that entire poem, of course—but in a different way I like just as much the untitled poem Jane wrote on a different subject almost 15 years later (on August 25, 1980). She was 51. I borrowed this poem for the opening notes for Session 920, in Chapter 9 of Dreams, and urged her to give it a title and present it in If We Live Again. Jane did so on both counts, in Section Six: “Strange Liberty.” She also changed the format of the poem, but not the words of what I consider to be one of her best creative insights.