“Seth material” search engine (Jane Roberts)

Jane’s “early spontaneous Saratoga images,” as she called them, her re-creation of her own past, had continued the next day. I found her visions particularly poignant, because in them she had seen herself as having the full and unconscious freedom of physical motion that the very young so take for granted. I wondered whether a part of her might be viewing her childhood in order to remind her of that mobile heritage, to help her regenerate it in the present.⁵ “see myself jumproping [again]… but the places themselves seem more significant to me [today] rather than people,” she wrote. “they are fairly extensive, in color and i look out from them at the view thus going inside them to a degree; must cover the… time period when I was about three…. vague ideas that when I was around five an older man died in the neighboring house where I’d played on the porch and that someone took me to see the body—my first such experience…. Well, now I’ll read a magical approach session, rob and I together read recent session this a.m….” And she had more strong dreams that evening.

That note is Jane’s last entry in her journal for the year, and she did not date it. Although she told me she had enjoyed having the vision, she said little about it and made no notes. I made a mistake: I should have insisted upon a detailed oral or written account from her, and made my own notes if necessary. I did remember her describing an older woman in shabby clothes, whose lips were moving as though she was talking to Jane; there was no sound. The vision had been very brief but quite real. Note that Jane had felt herself transported from her writing room into the living room. Regardless of any of that, however, my attempt to use direct positive suggestion to help her cut across her doubts and concerns failed. She didn’t start any new long-range writing project.¹⁰