“Seth material” search engine (Jane Roberts)

Jane’s “early spontaneous Saratoga images,” as she called them, her re-creation of her own past, had continued the next day. I found her visions particularly poignant, because in them she had seen herself as having the full and unconscious freedom of physical motion that the very young so take for granted. I wondered whether a part of her might be viewing her childhood in order to remind her of that mobile heritage, to help her regenerate it in the present.⁵ “see myself jumproping [again]… but the places themselves seem more significant to me [today] rather than people,” she wrote. “they are fairly extensive, in color and i look out from them at the view thus going inside them to a degree; must cover the… time period when I was about three…. vague ideas that when I was around five an older man died in the neighboring house where I’d played on the porch and that someone took me to see the body—my first such experience…. Well, now I’ll read a magical approach session, rob and I together read recent session this a.m….” And she had more strong dreams that evening.

Those branches of probabilities act like remote sensors, seeking out those conditions that will be suited to the seed’s best value fulfillment and development. In the simplest of terms, the life clouds will send forth their contents (pause) where circumstances best meet their own requirements. On the other hand, the life clouds can seed their own worlds completely. Space itself already speaks of a creation “begun,” for no matter how empty space may seem to be it simply appears like a vast cathedral, or tent or pyramid of form, for the moment perhaps vacant inside, with walls so distant that they go unperceived.