“Seth material” search engine (Jane Roberts)

Jane worked less and less as the holiday season approached, although on December 15 she gave her fourth private session; its most evocative subject matter—art and child psychology—is separate from our themes for Dreams. We saw only a few friends. I was busier than ever, however: running the house, preparing for Christmas, helping my wife in various ways, working on the earlier notes for Dreams and trying to accumulate some painting time. Jane didn’t do any more on her manuscript for Magical Approach, nor anything about obtaining the medical help she’d mentioned on the first of December. Our program of self-help gradually began to diminish, as had many of them before.⁸ Finally, in an effort to cheer up Jane one day as she sat idly at the typing table in her writing room, I tried a variation of a tactic that had worked so well for her inception of Seth’s The Nature of the Psyche almost six and a half years ago: This time, standing in back of her, I put my arms around her and rolled a clean sheet of paper into her typewriter—but here’s the note she wrote the next day:

“The magical approach puts you in harmony with your own individual knowledge of the universe. It puts you in touch with the magical feeling of yourself that you had as a child, and that is familiar to you at levels usually beyond your physical knowledge of yourself. It is better, then, to use the approach because you recognize it for what it is than to use it specifically in order to get something that you want, however beneficial. (All very intently:) There is no doubt at my level that use of the approach can clear up Ruburt’s difficulties naturally and easily. If it is used because you recognize its inherent rightness in yourself, its inherent ‘superior stance,’ then it automatically puts you in a position of greater trust and faith. It opens your options, enlarges your vista of comprehension, so that the difficulties themselves are simply no longer as important—and vanish from your experience in, again, a more natural manner.” (9:37.) “In a fashion, all of the material that I have given you in the annals of our relationship was meant to lead you in one way or another to a place where the true nature of reality could at least be glimpsed. You are at that point now.

Once in a while, Jane will sing to herself as she sits at her table in her writing room and looks east through the sliding glass doors at the side street rising into the woods to the north. Across the street is the white clapboard house of our neighbors, whom we love and who love us. Our friends have a large yard beside their house. It’s filled with trees and flowering shrubs—a view Jane cherishes, and one she has painted and written about a number of times. Indeed, she was looking out at that view at four o’clock on a foggy morning in June 1979 (over two and a half years ago) when she was inspired to name that certain part of her “that is as clear-eyed as a child” the “God of Jane.” Out of that insight she titled the book she had started a few weeks earlier The God of Jane: A Psychic Manifesto. In Chapter 9 of Mass Events, see the opening notes and Note 1 for Session 860.