“Seth material” search engine (Jane Roberts)

Jane’s “early spontaneous Saratoga images,” as she called them, her re-creation of her own past, had continued the next day. I found her visions particularly poignant, because in them she had seen herself as having the full and unconscious freedom of physical motion that the very young so take for granted. I wondered whether a part of her might be viewing her childhood in order to remind her of that mobile heritage, to help her regenerate it in the present.⁵ “see myself jumproping [again]… but the places themselves seem more significant to me [today] rather than people,” she wrote. “they are fairly extensive, in color and i look out from them at the view thus going inside them to a degree; must cover the… time period when I was about three…. vague ideas that when I was around five an older man died in the neighboring house where I’d played on the porch and that someone took me to see the body—my first such experience…. Well, now I’ll read a magical approach session, rob and I together read recent session this a.m….” And she had more strong dreams that evening.

“A dark morning. I feel a definite reluctance about myself and a merging of other feelings. The smell of the heat coming out of the air ducts is faintly comfortable as it blends with the still lingering odor of Rob’s varnish. Suddenly the sunlight splashes out of the sky. My body is sore, arms hurt as I type. Rob it seems to me is utterly silent in his studio. I think of the one experience in particular that I’d wanted to note down: Yesterday’s vision. Yesterday morning I felt a good deal like i do this morning; middling poor mood, sore body, yet aware of the need to break the spell, move about.

“I know that they are indicators of the body’s healing energies, and I also quite understand that in the overall you find such a statement unacceptable.