“Seth material” search engine (Jane Roberts)

After the holidays Jane worked on several small acrylic paintings of flowers that friends had given us for Christmas. She wrote a few notes and tried some poetry; her handwriting continued to be unsteady; she still made many errors typing. However, she also began to occasionally manifest an upsetting new development—a slight tremor in her voice. I then realized that each time I heard that certain agitation her speech slowed down slightly. We thought the voice effects were connected to her hearing and vision difficulties, which also fluctuated to some degree. Jane was concerned and not concerned, and once again I saw in her that innocent acceptance of the reality she was creating—the one I often had such trouble understanding [as well as my own participation in creating it!]. Not that she uncomplainingly welcomed this physical challenge, but that she overlaid its arrival with a frame of mind in which she kept going as best she could. I tried not to alarm her as we talked, while mentally I speculated about whether the vocal changes could be a further sign of her withdrawal from the world. Before we held the private session for last December 1, I had admitted to her my fear that she was gradually cutting down on her communication with the world.¹¹

(A one-minute pause at 10:10.) Even infinity is being everywhere expressed in each moment, for infinity itself is not something apart from what the universe is. As the universe is a portion of infinity’s creativity, in that light there are new species appearing all of the time, whether or not your own situation allows you to perceive that emergence. You yourselves may be portions of that emergence. From your threshold or focus you would be relatively unaware of your own motion on a new time threshold—for to the beings on that threshold you would have already arrived, while to you in your present their existence would at best be theoretical, as if they were future selves. From your standpoint they would be, of course.