“Seth material” search engine (Jane Roberts)

SESSION 938, NOVEMBER 24, 1981
9:07 P.M. TUESDAY

(We sat for the session at about 8:30. Once again Jane used many very long pauses as she spoke for Seth. I think that through Seth tonight she beautifully discusses several of her key insights into the nature of reality—and I don’t think it has ever been done any better.)

(See Note 3 for the private balance of the session.)

NOTES: SESSION 938

2. In Chapter 2 of Dreams, in Volume 1, see Note 5 for Session 885, as well as my comments about naturalism at the end of Note 3 for the last (937th) session.

3. As I think the ideas in the session proper are among Jane’s best, so do I think those in the material she delivered for herself are equally good.

“I will have more to say on this subject in a personal context at our next session. These few statements, however, will help him, and help him enlarge on an inner circle of acquaintanceship with friendly colleagues that belong in those other categories, but indeed are friendly colleagues as well.

“End of session and a fond good evening.”

Her consistency of attitude was strongly reinforced for me when, as I put together the notes for this session, I came across two rough, untitled poems that she’d produced on March 19, 1977—four years and eight months ago. I think it hardly coincidental that I found them just at this time. Jane had written them in colored ink in one of her 4 by 6 sketch pads. She hadn’t typed the poems for her journal, or shown them to me, but had quite forgotten about them. They’re presented a little later in this note.

Jane, then, wrote those two poems 16 days before she dictated the last session for Seth’s The Nature of the Psyche on April 4, 1977; one month before she began dictating Mass Events on April 18, 1977; two years and two months before she began God of Jane on May 6, 1979; two years and six months before she began dictating the Preface for Dreams on September 25, 1979; two years and eight months before she came up with the idea for If We Live Again on November 15, 1979; three years and five months before she began dictating Seth’s material on the magical approach to reality in Dreams on August 6, 1980; four years before she began dictating Seth’s sinful-self material in that book on March 11, 1981; four years and three months before she began coming through with her own sinful-self information on June 17, 1981; and four years and five months before, on August 26, 1981, she wrote the poem in Note 6 for Session 936 of Dreams: “Something in me / ebbs and tides, / as if I let myself / for a while / be washed away / out to sea / while leaving / some spidery shell / upon the shore /….”

I see that expanse of time (that four years and five months), as being really an emotional bridge between Jane’s poem in Note 6 for the 936th session and the two she wrote in March 1977. All three are entirely consistent not only with her beliefs and emotions, but with my own. For I feel now, in connection with the two “new” poems, the same profound sensations I had concerning Jane’s challenges when I wrote in Note 6: “Perhaps it was her poetic art of expression that helped me identify so strongly with her emotions, but I suddenly felt that even I had never really understood the myriad depths of her challenges and her reactions to them.” All three poems, then, are of a piece, in which she explores across time and emotion different facets of a common set of beliefs about friendly psychic colleagues and feelings of safety.

Now, however, I took another small step and understood that if the three poems reflect deep fears Jane has, revolving around her abilities, they’re also united by her determination to press on with those gifts. Her “undeviating direction,” expressed in Poem One below, is directly related to the material about her that I quoted from Seth in Note 6 for Session 931, in Chapter 9 of Dreams: “Nothing, however, would have kept him at the sessions for this amount of time unless he wanted them.” (The session I cited had been held in February 1980, when Jane had been speaking for Seth for more than 17 years.)

Once again, as I did in Note 6 for the 936th session, I’m running together Jane’s short lines in each stanza of her poetry, separating the lines with virgules.