“Seth material” search engine (Jane Roberts)

(10:18.) Nevertheless, encounters between you occur frequently—in the dream state as stated, in alterations of your usual focus, and in your arts, where you are less arbitrary in your definitions. As you began to bring your own physical reality into harder, clearer focus, you stopped with your own view of human consciousness, shutting off completely and rather arbitrarily those other elements in order to more clearly frame and define the boundaries of physical order. It seems to you now that such personalities (long pause) are not physically perceivable, but at one time you could bring them into the range of your perception.

I see that expanse of time (that four years and five months), as being really an emotional bridge between Jane’s poem in Note 6 for the 936th session and the two she wrote in March 1977. All three are entirely consistent not only with her beliefs and emotions, but with my own. For I feel now, in connection with the two “new” poems, the same profound sensations I had concerning Jane’s challenges when I wrote in Note 6: “Perhaps it was her poetic art of expression that helped me identify so strongly with her emotions, but I suddenly felt that even I had never really understood the myriad depths of her challenges and her reactions to them.” All three poems, then, are of a piece, in which she explores across time and emotion different facets of a common set of beliefs about friendly psychic colleagues and feelings of safety.