“Seth material” search engine (Jane Roberts)

People want, then, to throw aside old structures of belief. They yearn, often without recognizing it, for the remembered knowledge of early childhood, when it seems that they experienced for a time a dimension of experience in which the unexpected was taken for granted, when “magical events” occurred quite naturally. They begin to look at the structure of their lives in a different fashion that attempts to evoke from nature, and from their own natures, some graceful effortlessness, some freedom nearly forgotten. They begin to turn toward a more natural and a more magical approach to their own lives. At such times the conserving elements in nature and in society itself do not seem as strong as they did before. Surprising events that were earlier covered up or ignored seem to appear with greater frequency, and everywhere a new sense of quickness and acceleration gradually alters the expectations of people in regard to the events of their own lives, and to the behavior they expect from others. You are in such times now.

We always liked the idea, however, that others were recording class events and were keeping tapes for us if and when we wanted them; we also liked the idea that it was safer to have the tapes scattered about instead of being kept in one place. In class Jane might have listened to portions of a tape as it was being made, or immediately after class was over, but seldom would I hear her playing the same tape later—if we had a copy of it, that is. She’s fascinated to hear herself speak as Seth, and sing in Sumari, but she always wants to move on. I simply have never devoted myself to collecting tapes. I don’t want to overstate the issue, but neither does Jane pay that much attention to a book once it has been published. She does reread various private sessions, usually those in which Seth discusses matters relating to her symptoms. Until this year (1981) she would occasionally replay one of the few tapes we’d made together, or use our recorder when writing poetry. She gradually gave up working that way, however, as it became more and more difficult for her to exert enough finger pressure on the recorder’s keys.