“Seth material” search engine (Jane Roberts)

I’d never seen Jane hesitate for so many months over beginning a new project, as she had with Magical Approach. Usually she just plunged right into her latest creative inspiration, and that she hadn’t done so this time was to me a clear sign of her long-range, general physical-emotional state. I continued to reassure her [as Seth did also] after she’d finished Chapter 10, for I was deeply frustrated and concerned for her. There wasn’t anything else I could offer that she would affirm. As the weeks passed she denied more than once that she was depressed. Watching my wife over the years, I’d long ago come to feel that I was observing someone who was following a chosen course with incredible ability and determination. Nor is it contradictory of me even now to note that Jane’s path is quite in accord with her basically innocent, mystical nature—for her acceptance of her nature makes possible her explorations of it in her own unique ways. When she does mourn her impaired state, it’s still never with that tired old question directed at a supposedly unjust and uncaring nature: “Why me?” She just keeps trying to grapple with her challenges.

(Long pause at 9:13.) Again, it is very difficult to explain such activities. They can affect—and do affect—the rise and fall of civilizations. You are used to reading nature in a particular manner, however, and to experiencing events at surface levels. You are naturally equipped to appreciate a far richer blend, and as I have often said, you are yourselves possessed of a need to explore the subjective ramifications of your existence.

(9:43.) There are considerable changes that occur under such conditions in man’s subjective experience. Man’s feelings about himself change too, but little by little his trust in unpredictability grows. He is more willing to assign himself to it. The species begins its own kind of psychic migration. It begins to sense within itself further frontiers and the possibilities for action. It begins to yearn for the exploration of mental lands, and it sends portions of itself out as couriers.

“[Ruburt] does not have to publish a book every year on the button. The creative material will flow. It flows as a result of his own characteristic nature. It is safe to express that nature. It is even safe to explore that nature, and it is safe to allow himself to take some comfort in the source of being.