“Seth material” search engine (Jane Roberts)

(Because the proper detection equipment was not in place, government officials do not know just how much radiation was released into the Pennsylvania countryside 28 months ago [in March 1979], when the reactor of Unit No. 2 at Three Mile Island overheated and approached a meltdown of the uranium-packed fuel rods in its core. Federal and state agencies have announced long-term population studies to measure the effects—if any—of this radiation. Since 1925 scientists have been steadily reducing their estimates of what a “safe” dose for human beings really is, however, and many now believe that there’s no such thing as a completely harmless amount of even low-level radiation. Any such dosage would be in addition to the earth’s natural background radiation, which varies across our country and around the world because of altitude and other factors.

Jane and I think that the psychological effects of the accident at TMI are at least as important as the physical ones—and that eventually they will be much more so around the world. To my way of thinking, the consciousness connected with TMI is of an unknown quantity and quality.¹

As I have frequently mentioned, you have a hand in forming all events to one extent or another, and at certain levels you are therefore involved in the construction of those global events that affect the world, whether they be of so-called natural or cultural nature.

Yet (remembering what I said about seeming contradictions), your dreams are also social events of a kind, and the state of dreaming can almost be thought of as an inner public forum in which each man and woman has his or her say, and in which each opinion, however unpopular, is taken into consideration. If you want to call any one dream event a private event, then I would have to tell you that that private event actually was your personal contribution to a larger multisided dream event, many-layered, so that one level might deal with the interests of a group to which you belong—say your family, [or] your political or religious organization—reaching “outward” to the realm of national government and world affairs. (Pause.) As your private conscious life is lived in a community setting of one kind or another as a rule, so do your dreams take place in the same context, so that as you dream for yourself, to some extent you also dream for your own family, for your community, and for the world.

“All That Is creates its reality as it goes along. Each world has its own impetus, yet all are ultimately connected. The true dimensions of a divine creativity would be unendurable for any one consciousness of whatever import, and so that splendor is infinitely dimensionalized (most intensely throughout), worlds spiraling outward with each ‘moment’ of a cosmic breath; with the separation of worlds a necessity; and with individual and mass comprehension always growing at such a rate that All That Is multiplies itself at microseconds, building both pasts and futures and other time scales you do not recognize. Each is a reality in itself, with its own potentials, and with no individual consciousness, however minute, ever lost.”)

“Violence will always be used creatively. You cannot be destructive even when you try. Beyond that, however, in the meantime the violence that you do, you do to yourself. You are a part of All That Is—of all the nature that you know and experience, of the world that you know, and even a part of the world that you know that you do not like. If you rip off the wing of a fly, you are yourself less. If you purposefully, now, or with malice, step upon an ant, then to the extent of your malice you step upon yourself all unknowing. Violence will always be used creatively, but if you do not understand this—and at your present rate of development you do not—then any violence is violence against yourself. This applies to each of you, for when you think in terms of violence you think in terms of malice or aggression. Despite all man does, he cannot really work any destruction—but while he believes in destruction, then to that extent he minimizes what he is, and must work harder to use creativity.”