“Seth material” search engine (Jane Roberts)

As he’d hinted in his greeting this evening, Seth did have some material for us—regardless of my wife’s announced disinterest—and that information contained some surprises. See Note 4 for the rest of the session.)

1. Recently I asked Jane if Seth could give us some information on the consciousness connected with nuclear energy—a fascinating question I’ve often speculated about—and she promised me that he’d discuss it soon. I think his material will certainly include many original insights into the whole subject of consciousness-and-energy in general, as well as into the role of consciousness in events like the accident at Three Mile Island. I reminded Jane that some time ago Seth had remarked that as physical creatures we human beings cannot bear to directly confront the basic, vast, unimaginably awesome and creative consciousness of All That Is. Since we cannot bear to face the great raw power of nuclear energy either, I’ve often wondered whether this situation can be an earthly, imperfect and time-ridden analog to what must be the reality of All That Is.

“Violence will always be used creatively. You cannot be destructive even when you try. Beyond that, however, in the meantime the violence that you do, you do to yourself. You are a part of All That Is—of all the nature that you know and experience, of the world that you know, and even a part of the world that you know that you do not like. If you rip off the wing of a fly, you are yourself less. If you purposefully, now, or with malice, step upon an ant, then to the extent of your malice you step upon yourself all unknowing. Violence will always be used creatively, but if you do not understand this—and at your present rate of development you do not—then any violence is violence against yourself. This applies to each of you, for when you think in terms of violence you think in terms of malice or aggression. Despite all man does, he cannot really work any destruction—but while he believes in destruction, then to that extent he minimizes what he is, and must work harder to use creativity.”

“In the case of our book (Dreams), however, Ruburt himself was worried about your attitude. His overall concerns of course to some extent blocked his creative processes, which further alarmed him. The main issue here is that feeling of responsibility again, so that he writes or whatever because he loves to do it, not because he should or must, and that involves my book as well as his own.

“He becomes overly serious, overstressing the entire picture, as you can at times, so that the affair (of the symptoms) seems hopeless: the evidence before your eyes, and so forth.