“Seth material” search engine (Jane Roberts)

(Because the proper detection equipment was not in place, government officials do not know just how much radiation was released into the Pennsylvania countryside 28 months ago [in March 1979], when the reactor of Unit No. 2 at Three Mile Island overheated and approached a meltdown of the uranium-packed fuel rods in its core. Federal and state agencies have announced long-term population studies to measure the effects—if any—of this radiation. Since 1925 scientists have been steadily reducing their estimates of what a “safe” dose for human beings really is, however, and many now believe that there’s no such thing as a completely harmless amount of even low-level radiation. Any such dosage would be in addition to the earth’s natural background radiation, which varies across our country and around the world because of altitude and other factors.

Last month, in the opening notes for Session 931, in Chapter 9, I recorded that on July 8 Jane spontaneously wrote “a complete outline for a book on Seth’s magical approach to reality.” Actually, we’ve been quite aware of the potential of such an idea ever since Seth began that material a year ago.³ After supper this evening we went over the loose-leaf notebook of information Jane has accumulated for The Magical Approach to Reality: A Seth Book, and discussed how she could follow her outline in putting all of that material—on our dreams, psychic events and insights, her poetry and our essays—together with Seth’s private sessions on the magical approach. She’d had trouble doing that at various times in the past year. Such a book would involve the publication of much Seth material that could either lie in our files for a long time, or never be published. I now feel that many of those sessions aren’t so private after all, and can help others. The more I talked about the idea the better I liked it. Jane seemed to pick up on my own enthusiasm.

Yet (remembering what I said about seeming contradictions), your dreams are also social events of a kind, and the state of dreaming can almost be thought of as an inner public forum in which each man and woman has his or her say, and in which each opinion, however unpopular, is taken into consideration. If you want to call any one dream event a private event, then I would have to tell you that that private event actually was your personal contribution to a larger multisided dream event, many-layered, so that one level might deal with the interests of a group to which you belong—say your family, [or] your political or religious organization—reaching “outward” to the realm of national government and world affairs. (Pause.) As your private conscious life is lived in a community setting of one kind or another as a rule, so do your dreams take place in the same context, so that as you dream for yourself, to some extent you also dream for your own family, for your community, and for the world.

“All That Is creates its reality as it goes along. Each world has its own impetus, yet all are ultimately connected. The true dimensions of a divine creativity would be unendurable for any one consciousness of whatever import, and so that splendor is infinitely dimensionalized (most intensely throughout), worlds spiraling outward with each ‘moment’ of a cosmic breath; with the separation of worlds a necessity; and with individual and mass comprehension always growing at such a rate that All That Is multiplies itself at microseconds, building both pasts and futures and other time scales you do not recognize. Each is a reality in itself, with its own potentials, and with no individual consciousness, however minute, ever lost.”)

“Violence will always be used creatively. You cannot be destructive even when you try. Beyond that, however, in the meantime the violence that you do, you do to yourself. You are a part of All That Is—of all the nature that you know and experience, of the world that you know, and even a part of the world that you know that you do not like. If you rip off the wing of a fly, you are yourself less. If you purposefully, now, or with malice, step upon an ant, then to the extent of your malice you step upon yourself all unknowing. Violence will always be used creatively, but if you do not understand this—and at your present rate of development you do not—then any violence is violence against yourself. This applies to each of you, for when you think in terms of violence you think in terms of malice or aggression. Despite all man does, he cannot really work any destruction—but while he believes in destruction, then to that extent he minimizes what he is, and must work harder to use creativity.”

“You do not perceive the consciousness within the self. You do not perceive the consciousness within a star, either—yet the star is the physical materialization in your reality of another kind of consciousness, and all you perceive of it.”

“In the case of our book (Dreams), however, Ruburt himself was worried about your attitude. His overall concerns of course to some extent blocked his creative processes, which further alarmed him. The main issue here is that feeling of responsibility again, so that he writes or whatever because he loves to do it, not because he should or must, and that involves my book as well as his own.

“That kind of projection continues that kind of situation. You do get what you concentrate upon. I try to break up blocks of your concentration, and at various times have indeed succeeded, so that creative changes show in all areas, including Ruburt’s condition.

“The body is at each and every stage also filled with health and vitality. Those rules do not change. Ruburt is safe and protected. Those reassurances are highly important here now.