“Seth material” search engine (Jane Roberts)

This afternoon we had a long discussion about the conflicts we often feel between our natural desires for creative privacy and the fact that our works go out into the world. Each of us has a strong sense of responsibility toward those who read our books. Involved here also is Jane’s sinful self and “its” attitude concerning the requests she receives to go public through radio and television interviews, lectures, records, tapes, and so forth. She turned away from media attention many years ago. It took me some time after she’d started delivering the Seth material to realize that in spite of her outgoing, friendly nature, Jane is as much a private person as I am.)

What you have is a kind of inner backbone of perception—a backup program, so to speak, an inner perceptive mechanism with its own precise psychological tuner that in one way or another operates within the field of your intent. This is somewhat like remote sensing, or like an interior (pause) radar equipment that operates in a psychological field of attention, so that you are somewhat aware of the existence of certain events that concern you as they come into the closer range of probabilities with which you are connected.

(9:27.) For centuries that is the main way in which man dealt with the events of his life or tribe or village.³ Your modern methods of communication are in fact modeled after your inner ones. Ruburt’s thoughts almost (underlined) blended in enough to go relatively unnoticed. They were almost (underlined) innocuous enough to be later accepted as coincidence. They did have, however, an extra intentness and vitality and peculiar insistence—qualities that he has learned are indicative (pause) of unusual psychological activity. The point is that in most such cases the subjective recognition of an approaching event flows so easily and transparently into your attention, and fits in so smoothly with the events of the day, as to go unnoticed. You help mold the nature and shape of events without realizing it, overlooking those occasions when the processes might show themselves.