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DEaVF2 Chapter 9: Session 931, July 15, 1981 25/192 (13%) sinful overlays journal church bonding
– Dreams, "Evolution", and Value Fulfillment: Volume Two
– © 2012 Laurel Davies-Butts
– Chapter 9: Master Events and Reality Overlays
– Session 931, July 15, 1981 8:37 P.M. Wednesday

(I have difficulty believing it even when I write it—but eight months have passed since Jane held her last session for Dreams, the 928th, on November 12, 1980. The time has passed so quickly, it has been so filled with all kinds of personal, professional, and worldly events for us, that its motion is hard to visualize. During this period Jane gave two regular nonbook sessions [on November 26, 1980, and on January 5, 1981], plus 48 private sessions, so we’ve been busy! Out of that private total, Seth devoted 25 sessions, either completely or in part, to her “sinful-self” material. Jane delivered the introductory session on that subject on March 11 of this year, and I’ll be quoting from it in a note. The next 24 sessions on the sinful-self material came through in a concentrated block from April 14 to July 13. I also plan to excerpt several of those sessions for notes, and to quote a number of times from Jane’s personal journals for 1980 and 1981. In other words, these opening notes for the 931st session are going to be long ones.

[... 10 paragraphs ...]

“I plan to begin typing my poetry book final draft shortly,” she wrote in her journal on February 11. “The poetry itself doesn’t need a final draft—just the essays.”

[... 3 paragraphs ...]

“This applies—again, generally speaking—whether or not actual book dictation is involved. Difficulties arise, however, in book dictation on those occasions when he becomes too heavy-handed and worries about the responsibility of helping to solve the world’s problems—about his or my capacities in that regard—and when he considers the possible and various objections that any given subject might activate on the part of any given group of people. So if the area becomes too sensitive we let dictation go for a while. Sometimes I insert the particular material in your private sessions first of all, so that he becomes somewhat acclimated to it.”6

[... 8 paragraphs ...]

On the screen we saw a parade of citizens expressing shock, sadness, and outrage, frustrated by the knowledge that it had all happened before—not only in our country but around the world—and that it would happen again many times more. It became almost a cliché for people to wonder what was wrong with people: Why do those who attain prominence often attract those who want to destroy them? I think the Seth material contains some penetrating insights into such questions, but those ideas aren’t nearly well-enough known to help on a national scale. Seth didn’t comment upon the shooting, It wasn’t that he couldn’t, or wouldn’t—but that Jane herself is basically so innocent, so repelled by the violence involved in such episodes, that she often chooses not to go into the subject. I thought she might later in connection with other material, however; this had been the case when Seth discussed the mass suicide at Jonestown, Guyana, in November 1978.11

[... 5 paragraphs ...]

We had a hard time believing him when Seth told us the very next evening, on April 23, that Jane’s sinful self thinks her physical symptoms are necessary “for the personality’s own good”; that that self has no conception that its policies have become self-defeating; that, following Catholic and non-Catholic Christianity, it believes that suffering is good for the soul; that the idea of the flesh itself being graced is, to it, blasphemous.

And yet, Seth told us, in spite of everything Jane’s sinful self could begin to change once it was reached. We had reached it to some degree, and more than once, but the emotional upsets involved had left Jane feeling worse during this time. Her sinful self, according to Seth, no longer identifies with the Church. That self itself has become frightened, in conflict within itself over its early training and Jane’s great creativity, which it regards as wrong: The creative self is guilty. Jane had panic attacks while sleeping.

[... 8 paragraphs ...]

In the session itself, Seth barely began an answer to my question. Instead he went into considerable detail as to how Jane could write a “psychic statement of intentions,” so that her sinful self would know exactly what she wanted out of life. She started work on it the next day. That same day, I congratulated her when our first published copy of God of Jane reached us; that excellent book had followed Mass Events all the way through the publishing process. I told Jane that God of Jane is her best book yet, and that I hope it does well in the marketplace.15 Yet I sadly noticed that the book’s appearance led to another intensification of her symptoms—the same reaction she’d had when we received our first copy of Mass Events 25 days ago. We were to discover very soon that her sinful self had put together the publication of the two books, my question of last night, and Seth’s own suggestion, to form an emotional trigger.

[... 1 paragraph ...]

If we had been appalled when Seth began giving his version of the beliefs her sinful self held, we were even more so when that self began to express itself “personally.” And once more I had to guard my own expressions of frustration and anger; those emotions were so mixed up with my love for my wife that I even developed a perverse, almost black humor about the entire situation. Then Seth came through with another session on the same subject while Jane’s sinful self was in the midst of its own revelations! But she simply had to get that final, direct message from that portion of herself by herself; except for that one session, she even made Seth figuratively stand aside while she did so. But Seth himself was delighted with her breakthrough.16

[... 23 paragraphs ...]

Such usually unconscious knowledge is of great benefit to the species itself, so that at certain levels, at least, the knowledge of the species is not imprisoned within any given generation at once, but flows or circulates within the overall larger reincarnational picture. Probabilities are very much involved here, of course, and it is easier for particular events to fall within one time sequence than another.

[... 13 paragraphs ...]

Now while it seems that your world contains more and more information all the time, your particular brand of science is a relatively narrow one, in that it accepts as valid only certain specific areas of speculation. The areas outside of its boundaries become taboo, so that the realm of the unknown is no longer the material universe or the mysteries of space, but the interior universe and the mysteries of the mind as these are experienced or suspected to exist outside of those official areas. To that degree, the unknown is more feared by science than it ever was by religion.

[... 14 paragraphs ...]

“Yesterday while checking the page proofs for Mass Events I got the feeling that that book really bothered me, served as a focal point. My eye troubles started the same spring that Seth started dictating it [in 1977]; I was doing [my world-view book on William] James; and those people were picketing Prentice-Hall’s offices in New York City because of the Seth material. The fact had escaped me earlier that Mass Events represented Seth’s and my direct attack on official dictums—or so it seemed to me. Before, we sort of did it by inference.

“I accept everything in the book, but I think I felt that if I was going to tell it like it was—and I was, was determined to—then I also needed more protection from the world, and began cutting down mobility again. My idea is that the eyes get bad after the muscular strain reaches a certain point. The idea [of protection] also came back after reading a book on William James that a friend gave us for Christmas. [James’s] attitudes and mine so often seem similar—that he was determined to be daring, press ahead no matter what, explore consciousness—while at the same time being attracted to safety, disliking controversy, wanting peace, etc. I think I am that way. The long breaks when Seth didn’t dictate [book work] may have come when I got particularly concerned about the material, the wisdom of presenting it to the world.

[... 2 paragraphs ...]

“But you’re doing great, hon,” I told Jane after I’d read her journal entry. I was glad to reassure her, for I believed what I said. If she has hassles, I added, they’re quite understandable: Not only is she offering our world creative new ways by which to understand reality, but in her uncertainty about what she’s doing, she feels that she must prove her ideas to the world all by herself—something that few people have to do in such an all-encompassing manner. At the same time she has to protect herself, for both of us are caught in the uneasy notion that every time Jane gets too close to any sort of basic truth, she automatically threatens many of the deeply entrenched, rigid belief systems people have built up in our reality. Obviously Jane thinks her contemporaries often reject her—and sometimes I also think they do. Consciousness exploring itself once again, I said, more than a little ironically….

[... 5 paragraphs ...]

“We have to go beyond that—back to stressing the creative larger-than-life aspects. Otherwise all we have is a better problem-solving framework…. I’ve rejected all that kind of hash projected onto Seth’s books by others or myself—the assumptions that Seth must prove himself as a problem-solver—or the importance of functionalism over art. The larger view is that art, by being itself, is bigger than life while springing from it; that Seth’s and my books go beyond that simply by being themselves. They automatically put people in a different, vaster psychological space, another frame of reference, in which a good number of problems vanish or simply do not apply….

[... 1 paragraph ...]

“Again as with master events, we’re dealing with a different framework of action entirely, where the Mona Lisa is ‘more real’ than the physical properties that compose it. This is not to deny the validity of its [materials]. But to discuss Seth and his ideas primarily from the true-or-false framework is the same thing as considering the Mona Lisa only from the validity of the physical properties of its paint and panel: very very limiting…. I don’t have to ‘live up’ to anything. I don’t have to ‘make the material work,’ or prove through my actions that it does, because it proves itself in the way that creativity does, by being beyond levels of true-false references. Otherwise I’m at cross-purposes with myself.”

[... 7 paragraphs ...]

“Part of me doesn’t want to contend with this material at all,” Jane wrote for her journal, “but last night I had one of the strangest, quite frightening experiences—all the odder because there are so few real events to hang on to. Very early after we went to bed I realized I was in the middle of a nightmarish experience, one terribly vivid emotionally yet with no real story line. I only know that the following were involved: a childhood nursery tale and a toy like the cuddly cat doll I had as a child, named Susie, and thought the world of. Anyway, the point is that the story … and there I lose it; I don’t get the connections. All I know is that I awakened myself crying, my body very sore, sat on the side of the bed and made the following connections from my feelings at the time.

“They were these: that the entire world with its organization was kept together by certain stories, like those of the Roman Catholic Church; that it was dangerous beyond all knowing to look through the stories or examine them for the truth, and that all kinds of taboos existed to keep us from doing this, since … on the other side, so to speak, there was an incomprehensible frightening chaotic dimension, malevolent; powers beyond our imagining; and that to question the stories was to threaten not just personal survival but the fabric of reality as we know it. So excommunication was the punishment, or damnation … which meant more than mere ostracism, but the complete isolation of a person from those belief systems, with nothing between him or her and those frightening realities … without a framework in which to even organize meaning. This was what damnation really meant. To seek truth was the most dangerous of well-intentioned behavior, then … and retribution had to be swift and sure.

[... 2 paragraphs ...]

“The book was based on the idea that nature was against man; and that religion was man’s attempt to operate within that unsafe context. The feelings I was getting went even further, that religion or science or whatever weren’t attempts to discover truth—but to escape from doing so, to substitute some satisfying tale or story instead. And I suppose that if someone persisted long enough, he or she would find the holes in the stories … and undo the whole works. The idea of the stories was to save each man from having to encounter reality in such a frightening fashion…. The characters in the stories did this for him in their own fashion, and if you kept [searching] … you threatened the fine framework of organization that alone made life possible….”

[... 2 paragraphs ...]

“I do not want to go into a history of culture here, but your organizations historically have largely been built upon your religious concepts, which have indeed been extremely rigid. The repressive nature of Christian thought in the Middle Ages, for example, is well known. Artistic expression itself was considered highly suspect if it traveled outside of the accepted precepts, and particularly of course if it led others to take action against those precepts. To some extent the same type of policy is still reflected in your current societies, though science or the state itself may serve instead of the church as the voice of authority.

[... 18 paragraphs ...]

“When Ruburt left the church, the concept of the sinful self was still there, but the methods that earlier served to relieve its pressures were no longer effectively present. The concept was shifted over to the flawed self of scientific vintage. Science has no sacraments. Its only methods of dealing with such guilt involve standard psychoanalytic counseling—which itself deepens the dilemma, for counseling itself is based upon the idea that the inner self is a reservoir of savage impulses. Period.

[... 2 paragraphs ...]

“In that regard, Ruburt’s creativity kept struggling for its own growth and value fulfillment. His psychic recognition or initiation represented a remarkable breakthrough, meant to give him that additional psychic room that would insure the continued expansion of the abilities of the natural self. The sinful-self concept is a personal one for each who holds it, but it is also projected outward into the entire species, of course, until the whole world seems tainted.

[... 3 paragraphs ...]

“Ruburt broke through both psychically and creatively—that is, the sessions almost immediately provided him with new creative inspiration and expression, and with the expansions needed psychologically that would help fulfill his promise as a writer and as a mature personality. He was still left, however, with the beliefs in the sinful self, and carried within him many deep fears that told him that self-expression itself and spontaneity were highly dangerous.

[... 8 paragraphs ...]

“Each person seeks value fulfillment, and that means that they choose various lives in such a fashion that all of their abilities and capacities can be best developed, and in such a way that their world is also enriched. Some people will choose ‘defective’ bodies purposely in order to focus more intensely in other areas. They want a different kind of focus…. Such a choice demands an intensification. It is made on the part of the individual and on the parts of the parents as well….”

[... 6 paragraphs ...]

(“I should take a moment here to note that Seth has mentioned this attitude of Jane’s before, and that she has referred to it also. I haven’t had any such feelings, since from the very beginning of our relationship I’ve always felt certain that in Jane I’d found the ideal mate—an achievement I’ve considered most fortunate, one I’d hardly dared dream I’d ever manage to do. Looking back, our meeting and getting together seemed the most natural and inevitable things in the world; how could I improve upon those? I’ve always been intensely proud of Jane’s abilities and achievements, and glad to participate in them to whatever degree. The thing that has left me distraught, nearly brokenhearted, is to see her in such a progressively poor physical situation as the years have passed. Especially devastating is this when the material explains that this isn’t the only way things can be. No wonder I say to her that we’ve paid too high a price for our accomplishments. I want to see her able to manipulate like other people, of course, and to have her achievements also. That things haven’t worked out that way so far can’t but help have a profound effect upon my feelings, hers, and our relationship, which I’ve always taken absolutely as being as solid and enduring as the elements. It still is.”)

[... 9 paragraphs ...]

“I now want to put the sinful-self material in a larger spectrum,” Seth told us in part. “Ideally, infants ‘bond’ with their parents, particularly with the mother but with the father also, and they bond with the general ideas of their society. This offers the sense of safety in which the youngster can then feel free and curious enough to explore its world and the nature of reality.

[... 16 paragraphs ...]

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