“Seth material” search engine (Jane Roberts)

(I have difficulty believing it even when I write it—but eight months have passed since Jane held her last session for Dreams, the 928th, on November 12, 1980. The time has passed so quickly, it has been so filled with all kinds of personal, professional, and worldly events for us, that its motion is hard to visualize. During this period Jane gave two regular nonbook sessions [on November 26, 1980, and on January 5, 1981], plus 48 private sessions, so we’ve been busy! Out of that private total, Seth devoted 25 sessions, either completely or in part, to her “sinful-self” material. Jane delivered the introductory session on that subject on March 11 of this year, and I’ll be quoting from it in a note. The next 24 sessions on the sinful-self material came through in a concentrated block from April 14 to July 13. I also plan to excerpt several of those sessions for notes, and to quote a number of times from Jane’s personal journals for 1980 and 1981. In other words, these opening notes for the 931st session are going to be long ones.

Painting is really unalloyed fun for Jane. Not that she doesn’t have her failures, but her work has greatly improved since we met in 1954, and in ways that I hadn’t foreseen for her. Indeed, I now think that my wife is a better painter in her way than I am in mine. This doesn’t mean that I’m knocking my own abilities in any way. Jane is freer. She works in oils, acrylics, and watercolors. When painting she knows a release from time, care, and responsibility that she doesn’t experience otherwise—and surely that pleasure emphasizes qualities of living that Seth has always stressed. Her painting is her unhampered creative translation of the Seth material into pigments instead of words. Because of her defective vision Jane sees perspective differently than I do, yet achieves her own kind of depth with her “instinctive” designs and color choices. Her art contains a charming, innocent, mystical freedom that I envy. She’s produced many more paintings than I have in my own more conventional, more plodding way [although now I’m working faster than I used to]. I think that any assessment of her writing and psychic abilities will have to include a close study of her painting. To me, the lessening of Jane’s physical mobility has resulted in a strong compensating growth in her painting mobility. I also think her painting reflects her free physical motion in her dreams. Hardly accidental, any of that. I’ve seen her turn almost automatically to the relief that only painting can give her.

“After supper I discussed with Jane the question I’ve been keeping in mind for Seth, concerning what her sinful self may have learned since we began this series of sessions. I said it was essential to communicate to her sinful self [so named by Seth for convenience’s sake only] that its performance has been very destructive to Jane, and that it must release its hold. I want to know that self’s attitude toward the fact that Jane is now helpless as far as her physical survival is concerned—she can no longer take care of herself without my help, and this obviously implies that if her condition continues to worsen to the point of death, her sinful self will die also. I want to know what it ‘thinks’ about such a contradictory situation. No matter how it must reason or react, that self has to be concerned about its own survival—but in what ways, and based upon what knowledge and reasons? Of course we have some answers now, but I want more.”

Once again, we had no guidelines on how to use Jane’s material, except to trust that we’d do the best we could. Achieving results could take a while. “If you do that book on the magical approach,” I asked her, “are you going to use all this stuff on the sinful self, or what?” Jane didn’t know. She did know that she’d been considering an outline for a book on the magical approach. In the meantime, the plan that spontaneously came to me on that last day of her own effort, on June 22, was to present a page or two of her sinful-self material here, then repeat it, along with other excerpts, in the Introduction I’ve already mentioned that I must write for Dreams.¹⁷

Jane’s last session for this chapter of Dreams is the 928th; she came through with it eight months ago. Since then I’ve packed full these notes for Session 931, in order to round out our personal, professional, and secular situations—yet, looking back, I wonder if I’ve properly put everything in perspective: There are other sessions I could have quoted instead of the ones chosen, other notes I could have written; there are other questions Jane and I could have asked, and, perhaps, other conclusions we could have drawn.

Jane doesn’t agree with my doubts. As always, she’s been letting me put this book together the way I think best—and inevitably that way has followed how we’ve been trying to understand our joint long-term situation. She innocently accepts my labors as they come out. And that trust always reflects, I’m sure, Seth’s own larger view of reality, as I just quoted him from Session 915. Our challenges echo throughout all of our probable realities simultaneously, and through all of them together the largest picture of Jane and myself is presented. In this probable reality we work with what we can pick up from that great whole. We keep trying to learn to ask better questions.

“Finish checking copy-edited manuscript of God of Jane this afternoon. Feel this important…. As I finish, I realize how much physical activity and energy is required for even that seemingly sedentary task, for I’ve been uncomfortable, sitting, switching my weight, body soreish, eyes not seeing properly and so forth…. But in some newish way I seemed to understand how much seemingly mental work is dependent upon physical vigor, flexibility and so forth; and then rather strongly—emotionally it came to me that I’d thought it my duty to clamp down physically, to cut down mobility in order to … have mobility as a writer; that is, to sit down, cut down on impulses, distractions, to make sure I’d ‘do my work,’ pursue my goal undeviatingly; that new [book] contracts instantly led me to that kind of behavior and that I really see that such behavior carried to its extremes would end up smothering my writing, defeating the purposes it (seemingly) meant to protect. But I did fear that impulses and body motion were … distractions to work…. Now I see how much impulses are conducive … to just typing, for God’s sake; imagine typing and seeing with ease, just thinking about what I’m thinking about, instead of trying to get my fingers on the proper keys. I feel as if I’m on to something here … feel some relaxation. If this is the case, the entire process could be changed around quite quickly, of course, toward mobility. I’m not writing here tonight about the reasons behind such behavior—many ideas—but did want to get something down now….”

“In fact, Seth gave us Framework 1 and 2 stuff in there, to help me. I did grab hold several times, and with the God of Jane book, the new inspiration there and the material on following impulses, made some very good improvements. [Rob’s emphasis:] But far more than Rob from the beginning, I was nervous and anxious about directly coming out with many of the ideas—which at the same time I fervently and even passionately believe in…. I may fear that if you go too far … telling it like it is … that the establishment will just cut off your platform … or that people will stop buying the books … something like … biting the hand that feeds you. You can only go so far. Yet I’ve always known that these ideas conflicted with official ones. It’s just that [earlier our] ‘attack’ was less direct.

“Lately I’ve been working with ideas of safety, saying and believing that I AM safe, secure and supported and that I DO trust my natural spontaneous motion. NOW as I write some old dumb stuff comes emotionally to mind—my mother saying that I’d destroy those I loved or some such nonsense. But it’s as if I always felt that spontaneously, left alone, I’d end up taking away people’s comfort blankets, and I felt bad about that, even while I knew that those philosophic blankets were wormy, had to go. And I do see that I’m offering something far better….

“We have to go beyond that—back to stressing the creative larger-than-life aspects. Otherwise all we have is a better problem-solving framework…. I’ve rejected all that kind of hash projected onto Seth’s books by others or myself—the assumptions that Seth must prove himself as a problem-solver—or the importance of functionalism over art. The larger view is that art, by being itself, is bigger than life while springing from it; that Seth’s and my books go beyond that simply by being themselves. They automatically put people in a different, vaster psychological space, another frame of reference, in which a good number of problems vanish or simply do not apply….

5. For that matter, I’ve often told my wife that it would be all right with me if she decided to give up the sessions entirely—for good—period. Anything to help, I always thought at such times. More than once I’ve asked her if she keeps the sessions going just for me. Jane comes first with me—not the sessions, or anything else she might do. Her being is what I want to spend the rest of my life with. Once again I recalled Seth’s statement in Chapter 5 of Dreams, in Volume 1. See Session 899 for February 6, 1980: “But the purpose of your life, and each life, is in its being (intently). That being may include certain actions, but the acts themselves are only important in that they spring out of the essence of your life, which simply by being is bound to fulfill its purposes.”

I took those associations to mean that no matter what her evolving focuses in her present life, Jane should be as much aware of my reactions to her situation as she is of her own—that even though I’d worked out religious questions in a previous life, still this time around I had chosen to share with her a probable reality within which her physical symptoms, bound up as they are with the subject of religion, could occur. (But at the same time, I reminded myself, her great creativity had also found its modes of expression in spite of everything.) If, as Seth said on April 15, conflicts like Jane’s often stem from the gifted individual’s unrequited search for value fulfillment—even resulting in an early death—then that premise is at least consciously understandable. I’ve suspected for quite a while that something like this is operating in Jane’s case. It’s not that she perversely refuses to get well, even with all of the help Seth and I have tried to give her—and that she has even asked for—but that the deepest portions of her being in this physical life have other goals, toward which her nonphysical self and her physical symptoms are traveling together. Without such thinking, I was coming to feel, there could be little comprehension of my wife’s long-term challenges.

(“I should take a moment here to note that Seth has mentioned this attitude of Jane’s before, and that she has referred to it also. I haven’t had any such feelings, since from the very beginning of our relationship I’ve always felt certain that in Jane I’d found the ideal mate—an achievement I’ve considered most fortunate, one I’d hardly dared dream I’d ever manage to do. Looking back, our meeting and getting together seemed the most natural and inevitable things in the world; how could I improve upon those? I’ve always been intensely proud of Jane’s abilities and achievements, and glad to participate in them to whatever degree. The thing that has left me distraught, nearly brokenhearted, is to see her in such a progressively poor physical situation as the years have passed. Especially devastating is this when the material explains that this isn’t the only way things can be. No wonder I say to her that we’ve paid too high a price for our accomplishments. I want to see her able to manipulate like other people, of course, and to have her achievements also. That things haven’t worked out that way so far can’t but help have a profound effect upon my feelings, hers, and our relationship, which I’ve always taken absolutely as being as solid and enduring as the elements. It still is.”)

“Wednesday, July 15, 1981. Last night or rather this morning I had a strange strange dream experience, very vivid while happening, quite important I felt, and now I hardly remember it. The affair involved an excellent TV movie on reincarnation we saw last night. In the dream experience I think I was considering doing a book, a sequel, to the movie—but I was also seeing one or maybe two reincarnational lives of mine, seeing how a belief in reincarnation helped open a sense of the future in the present: I was learning how to visit those lives, which were still happening and for which I think I yearned—without dying in this life. There was a road and other scenes from my past I wanted to paint too; a significant green bottle; people I dearly loved, and Rob might have been involved too. Lots I’ve completely forgotten about people who loved you in particular lives always in some way being supportive; that we’re caught up in time-to-time overlays Seth has referred to in his late book dictation; that rhythmic time overlays happened as various anniversaries or significant events from various lives overlapped, bringing them momentarily closer (like comets) when entries back and forth, and interchanges, are particularly easier.

“Part of my physical hassles come from fear of the unknown, once I realized I was gifted in that direction—that certain friends we’ve made here represent loved relationships of reincarnational origin, that offer support now if I accept it.

“How a belief in reincarnation and immortality added support to life, so that it didn’t seem dead-ended. That I could relax now, admitting and realizing that I did have certain fears per the sinful self’s document (instead of pretending that I didn’t). Because brought into the light I really could handle them and see how they originated. Stuff on how society operated, whether it knew it or not, on a reincarnational basis, and how association was many-lives-thick, so to speak. Only these are thoughts I’m left with, connected to the experience while I’ve forgotten the events themselves, and the scenes that were extremely colorful and emotionally charged.”

I’ve noted before that Seth himself has no reservations at all about expressing reincarnational material. Listening to some of the tapes students made in Jane’s ESP class—in the early ‘70s, say—I hear Seth being allowed to spontaneously give regular students and first-time visitors often quite detailed and penetrating insights into their other lives; explaining how events and emotions from other existences can intermix with their counterparts in present lives. Jane still picks up such information from others, but now she seldom expresses it through Seth. I think her deep concern about leading others astray, related as it is to her early religious training, is the inhibiting force here. Then see Notes 9 and 19 for this session; their contents show that she hasn’t closed a certain window into the dream state, either.