“Seth material” search engine (Jane Roberts)

“This applies—again, generally speaking—whether or not actual book dictation is involved. Difficulties arise, however, in book dictation on those occasions when he becomes too heavy-handed and worries about the responsibility of helping to solve the world’s problems—about his or my capacities in that regard—and when he considers the possible and various objections that any given subject might activate on the part of any given group of people. So if the area becomes too sensitive we let dictation go for a while. Sometimes I insert the particular material in your private sessions first of all, so that he becomes somewhat acclimated to it.”⁶

Seth also discussed Jane’s persistent psychological abuse and mistreatment by her mother, Marie, over the years, and the young girl’s resultant deep fear of abandonment. Jane never lost that fear, and needed frequent reassurances that she was a worthy person. She’d seldom found that reinforcement while living with a parent who had been divorced and become bedridden by the time Jane was three years old, and who had a host of problems—challenges—of her own to meet.

Through April and into May, I had problems controlling my own anger and hurt feelings toward Jane’s sinful self as I came to better understand its mechanisms of operation. Obviously. of course, my feelings reflected upon the workings of my sinful self, or upon some similar psychological quality—for how could I be so involved with my wife’s challenges, for almost 26 years, without complementing them within deep portions of my own personality? My anger, Seth told me, was just the way not to react, and even amid the welter of my emotions I had to agree. Jane had refused to listen to that self of hers in earlier years. “The idea is in no way to accuse the sinful self,” Seth said on April 28. “It is instead to understand it, its needs and motives, and to communicate the idea that it was sold a bad bill of goods in childhood—scared out of its wits, maligned…. Ruburt’s entire group of symptoms do not follow any established pattern. They are the result of applied stress, exaggerated finally by feelings of hopelessness, and by some relative feelings of isolation.” And I was so struck by his reference to Jane’s hopelessness that once more I returned to the private session for April 15. See Note 13, in which I quoted Seth’s material on her search for value fulfillment—how, without the psychic breakthrough of the sessions, “Ruburt would have felt unable to continue the particular brand of his existence.”

Within a few days, after I’d taken certain measurements from Jane while she was sitting down, our friend Floyd Waterman [who is a contractor] helped me cut down an old-fashioned straight chair and equip it with small wheels. This one was narrower than later-model chairs, and it fit well in the bathroom and some other spots in the hill house. Jane could easily hoist herself onto it from her office chair, the couch, or the bed; she could either move on it around the house by herself, or have me push her. There was only one small problem: She couldn’t tolerate sitting on the bare wooden seat for more than a few minutes at a time. So while she slept late the next morning, I rebuilt the chair by myself and padded its seat. Then she found it very useful.

“Seth as a ‘master event.’ As the Mona Lisa is ‘more real’ than, say, a normal object or the [materials] that compose it, so is all good or great art more than its own physical manifestation. Consider art as a natural phenomenon constructed by the psyche, a transspecies of perception and consciousness that changes, enlarges and expands life’s experiences and casts them in a different light, offering new opportunities for creating action and new solutions to problems by inserting new, original data.

“To confine such creativity to solve life’s problems primarily, or to direct it primarily in that fashion, limits it and holds it in an improper focus; shackles it.

“We have to go beyond that—back to stressing the creative larger-than-life aspects. Otherwise all we have is a better problem-solving framework…. I’ve rejected all that kind of hash projected onto Seth’s books by others or myself—the assumptions that Seth must prove himself as a problem-solver—or the importance of functionalism over art. The larger view is that art, by being itself, is bigger than life while springing from it; that Seth’s and my books go beyond that simply by being themselves. They automatically put people in a different, vaster psychological space, another frame of reference, in which a good number of problems vanish or simply do not apply….