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DEaVF2 Chapter 9: Session 931, July 15, 1981 4/192 (2%) sinful overlays journal church bonding
– Dreams, "Evolution", and Value Fulfillment: Volume Two
– © 2012 Laurel Davies-Butts
– Chapter 9: Master Events and Reality Overlays
– Session 931, July 15, 1981 8:37 P.M. Wednesday

[... 69 paragraphs ...]

To a certain extent, of course, you have been or will be each related to the other. In that light all of the events of time rub elbows together. You brush against the elbow of a future or past event every moment of your lives.

[... 33 paragraphs ...]

“Seth as a ‘master event.’ As the Mona Lisa is ‘more real’ than, say, a normal object or the [materials] that compose it, so is all good or great art more than its own physical manifestation. Consider art as a natural phenomenon constructed by the psyche, a transspecies of perception and consciousness that changes, enlarges and expands life’s experiences and casts them in a different light, offering new opportunities for creating action and new solutions to problems by inserting new, original data.

[... 58 paragraphs ...]

“Your love for each other is large enough to withstand any natural expression of aggression or resentment on either of your parts. As mentioned earlier, because of Ruburt’s background he feared abandonment often. It seemed to him that he did not offer what most men expected of women, so that if he wanted a good lifelong companion he had to tread lightly. He felt that many of his own characteristics were considered disadvantageous in a man-woman relationship.”

[... 21 paragraphs ...]

“How a belief in reincarnation and immortality added support to life, so that it didn’t seem dead-ended. That I could relax now, admitting and realizing that I did have certain fears per the sinful self’s document (instead of pretending that I didn’t). Because brought into the light I really could handle them and see how they originated. Stuff on how society operated, whether it knew it or not, on a reincarnational basis, and how association was many-lives-thick, so to speak. Only these are thoughts I’m left with, connected to the experience while I’ve forgotten the events themselves, and the scenes that were extremely colorful and emotionally charged.”

[... 6 paragraphs ...]

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