“Seth material” search engine (Jane Roberts)

Even though she wasn’t walking, Jane continued taking her steps between her office chair and the living-room couch, from which she was giving most of her sessions those days. As December came she stopped getting into the shower because of the trouble she had maneuvering in the bathroom, so I began helping her take sponge baths instead. Her physical condition was obviously intimately related to her creative condition. Even the simple act of writing was becoming increasingly difficult for her.¹ On December 4 I sent back to our publisher the corrected copy-edited manuscript for God of Jane. And late that month, and for the very first time, Jane allowed me to push her in her chair in front of company—a Friday-night group of friends, one reminiscent of the free, exuberant gatherings we used to have every weekend in our downtown apartments. Not that all of our friends hadn’t known of Jane’s physical symptoms for some time, but that Jane, with her innocence and determination—and yes, her mystical view of temporal reality²—had for the most part refused to put herself on display, as she termed it: She felt that she should offer something better to herself and to others, even with all of the intensely creative work she’d done for herself and for others over the last 17 years.

By now it must be plain to the reader that Seth’s material on the sinful self—any sinful self, or all of them—could very well be considered the other side of his information on the magical approach to reality. I was all too aware of an uncomfortable dichotomy. Indeed, how irritating it was, I thought, that for Jane and me at least the magical self seemed to be so far removed from daily reality, while the sinful self was so close! Reaching out to the magical self could be thought of as some theoretically attainable goal—but the sinful self was right there, functioning within the most intimate areas of personal life. For how many others is the same situation true? Seth, I knew, would simply say that the magical self is just as real and close as any other self. The challenge for the individual is to know and to believe that, to clear unwanted growth from around the magical self so that it can bloom unimpeded….

That the Seth books outdo Jane’s other works has always puzzled us. Each one of her books, whether produced by herself or with Seth, is an equally valid and intimate expression of her basic creativity. Seth doesn’t come from some separate, more exalted portion of Jane’s psyche that’s off limits to her when she’s writing her own books. As he’s often said himself, he isn’t omnipotent: Like Jane, he shrinks from being a guru—and I stress that Seth doesn’t hold that attitude just because Jane does. Neither seeks to dominate the other; each tries to help the other.