“Seth material” search engine (Jane Roberts)

The very next day we were distracted: We received back from our publisher the film option contracts for The Education of Oversoul Seven. The filmmaker required certain additions for legal reasons; we had to have our attorney renotarize the contracts. On the same day I returned them to Prentice-Hall, I also sent in Jane’s signed contract for If We Live Again—and the mail brought us the copy-edited manuscript for God of Jane.

Even though she wasn’t walking, Jane continued taking her steps between her office chair and the living-room couch, from which she was giving most of her sessions those days. As December came she stopped getting into the shower because of the trouble she had maneuvering in the bathroom, so I began helping her take sponge baths instead. Her physical condition was obviously intimately related to her creative condition. Even the simple act of writing was becoming increasingly difficult for her.¹ On December 4 I sent back to our publisher the corrected copy-edited manuscript for God of Jane. And late that month, and for the very first time, Jane allowed me to push her in her chair in front of company—a Friday-night group of friends, one reminiscent of the free, exuberant gatherings we used to have every weekend in our downtown apartments. Not that all of our friends hadn’t known of Jane’s physical symptoms for some time, but that Jane, with her innocence and determination—and yes, her mystical view of temporal reality²—had for the most part refused to put herself on display, as she termed it: She felt that she should offer something better to herself and to others, even with all of the intensely creative work she’d done for herself and for others over the last 17 years.

Two weeks later, on March 3, Jane and I really received a surprise through a friend who lives on the California coast: news of a Spanish-language translation of Jane’s first book, How to Develop Your ESP Power. The edition was printed in Mexico and is on sale in that country and on our West Coast. Our friend has a Mexican friend who showed him a copy of the book. Jane and I didn’t know what to think, since the American publisher of ESP Power, Frederick Fell Publishers, Inc., hadn’t advised us that a translation into Spanish had been authorized. The almost wordless quality of our surprise reminded me of our feelings of a year and a half ago, when we’d learned that the Dutch firm, Ankh-Hermes, had published an abridged edition of Seth Speaks in that language, without our permission.⁷

The day after that session for March 11 was held we received a jolt: Eleanor Friede, Jane’s editor at Delacorte Press, informed us that Jane’s book, Emir’s Education in the Proper Use of Magical Powers, was being remaindered—taken off the market because in the publisher’s view it wasn’t selling enough copies. Eleanor’s protests at the action had done no good. We were given the chance to buy as many copies as we wanted to, at a very low price per book. We’d known that Emir hadn’t been setting any records since its publication in September 1979, but we’d also thought the book’s sales were respectable enough that the people at Delacorte Press would keep it in print until it became better known. Perhaps our shock came about because we’d become spoiled without realizing it, but of Jane’s 14 books Emir¹⁰ is the first one to be withdrawn—and, ironically, the last one she’d had published. That status would soon change, however, when Mass Events and God of Jane reached the marketplace.

During the first week in May, Jane received from Tam the copy-edited manuscript for If We Live Again. As she checked that book she listed several areas of her body where beneficial changes had begun to appear, as well as others that hadn’t shown any improvement. Her difficulties maneuvering in the bathroom were especially bothersome. She was both encouraged and discouraged, then—but did have more energy. I returned the poetry to our publisher on May 13.

Late in May we received from Prentice-Hall our first copy of Mass Events. We were both delighted and bemused that the book was published at last, especially when we considered that Jane had given the first session for it over three years ago [the 801st for April 18, 1977]. We felt that lifetimes had passed since then.

In the session itself, Seth barely began an answer to my question. Instead he went into considerable detail as to how Jane could write a “psychic statement of intentions,” so that her sinful self would know exactly what she wanted out of life. She started work on it the next day. That same day, I congratulated her when our first published copy of God of Jane reached us; that excellent book had followed Mass Events all the way through the publishing process. I told Jane that God of Jane is her best book yet, and that I hope it does well in the marketplace.¹⁵ Yet I sadly noticed that the book’s appearance led to another intensification of her symptoms—the same reaction she’d had when we received our first copy of Mass Events 25 days ago. We were to discover very soon that her sinful self had put together the publication of the two books, my question of last night, and Seth’s own suggestion, to form an emotional trigger.

“Finish checking copy-edited manuscript of God of Jane this afternoon. Feel this important…. As I finish, I realize how much physical activity and energy is required for even that seemingly sedentary task, for I’ve been uncomfortable, sitting, switching my weight, body soreish, eyes not seeing properly and so forth…. But in some newish way I seemed to understand how much seemingly mental work is dependent upon physical vigor, flexibility and so forth; and then rather strongly—emotionally it came to me that I’d thought it my duty to clamp down physically, to cut down mobility in order to … have mobility as a writer; that is, to sit down, cut down on impulses, distractions, to make sure I’d ‘do my work,’ pursue my goal undeviatingly; that new [book] contracts instantly led me to that kind of behavior and that I really see that such behavior carried to its extremes would end up smothering my writing, defeating the purposes it (seemingly) meant to protect. But I did fear that impulses and body motion were … distractions to work…. Now I see how much impulses are conducive … to just typing, for God’s sake; imagine typing and seeing with ease, just thinking about what I’m thinking about, instead of trying to get my fingers on the proper keys. I feel as if I’m on to something here … feel some relaxation. If this is the case, the entire process could be changed around quite quickly, of course, toward mobility. I’m not writing here tonight about the reasons behind such behavior—many ideas—but did want to get something down now….”

“Copy of inspirational-type material received Friday, February 6, after reading portions of my 1973 notebook:

(Seven and a half years ago, Seth had referred to a version of myself living in first-century Rome: “So Joseph ‘was’ Nebene, a scholarly man, not adventurous, obsessed with copying ancient truths, and afraid that creativity was error; authoritative and demanding. He feared sexual encounter, and he taught rich Roman children.” In Volume 2 of “Unknown” Reality, see Session 721 for November 25, 1974. One might say that I’m still obsessed with truths—as I take down the Seth material, for example—only now I call them timeless rather than ancient or new.)