“Seth material” search engine (Jane Roberts)

The day after that session for March 11 was held we received a jolt: Eleanor Friede, Jane’s editor at Delacorte Press, informed us that Jane’s book, Emir’s Education in the Proper Use of Magical Powers, was being remaindered—taken off the market because in the publisher’s view it wasn’t selling enough copies. Eleanor’s protests at the action had done no good. We were given the chance to buy as many copies as we wanted to, at a very low price per book. We’d known that Emir hadn’t been setting any records since its publication in September 1979, but we’d also thought the book’s sales were respectable enough that the people at Delacorte Press would keep it in print until it became better known. Perhaps our shock came about because we’d become spoiled without realizing it, but of Jane’s 14 books Emir¹⁰ is the first one to be withdrawn—and, ironically, the last one she’d had published. That status would soon change, however, when Mass Events and God of Jane reached the marketplace.

And yet, Seth told us, in spite of everything Jane’s sinful self could begin to change once it was reached. We had reached it to some degree, and more than once, but the emotional upsets involved had left Jane feeling worse during this time. Her sinful self, according to Seth, no longer identifies with the Church. That self itself has become frightened, in conflict within itself over its early training and Jane’s great creativity, which it regards as wrong: The creative self is guilty. Jane had panic attacks while sleeping.

During the first week in May, Jane received from Tam the copy-edited manuscript for If We Live Again. As she checked that book she listed several areas of her body where beneficial changes had begun to appear, as well as others that hadn’t shown any improvement. Her difficulties maneuvering in the bathroom were especially bothersome. She was both encouraged and discouraged, then—but did have more energy. I returned the poetry to our publisher on May 13.

“Now Ruburt is undergoing some profound therapeutic changes. Probabilities at each point intersect with your time, and those probabilities are psychologically directed so that, in your terms once again, he is at an excellent intersection point, where the prognosis is excellent. Tell him I said this. And you are both responsible, for both of your lives merge in their fashions.”

I do not necessarily mean that full-blown pictures of other existences would necessarily come into your mind, but that in one way or another you would receive a support or change of mood as those loved by you in other lives [in] one way or another sensed your need and responded.

“Finish checking copy-edited manuscript of God of Jane this afternoon. Feel this important…. As I finish, I realize how much physical activity and energy is required for even that seemingly sedentary task, for I’ve been uncomfortable, sitting, switching my weight, body soreish, eyes not seeing properly and so forth…. But in some newish way I seemed to understand how much seemingly mental work is dependent upon physical vigor, flexibility and so forth; and then rather strongly—emotionally it came to me that I’d thought it my duty to clamp down physically, to cut down mobility in order to … have mobility as a writer; that is, to sit down, cut down on impulses, distractions, to make sure I’d ‘do my work,’ pursue my goal undeviatingly; that new [book] contracts instantly led me to that kind of behavior and that I really see that such behavior carried to its extremes would end up smothering my writing, defeating the purposes it (seemingly) meant to protect. But I did fear that impulses and body motion were … distractions to work…. Now I see how much impulses are conducive … to just typing, for God’s sake; imagine typing and seeing with ease, just thinking about what I’m thinking about, instead of trying to get my fingers on the proper keys. I feel as if I’m on to something here … feel some relaxation. If this is the case, the entire process could be changed around quite quickly, of course, toward mobility. I’m not writing here tonight about the reasons behind such behavior—many ideas—but did want to get something down now….”

“Seth as a ‘master event.’ As the Mona Lisa is ‘more real’ than, say, a normal object or the [materials] that compose it, so is all good or great art more than its own physical manifestation. Consider art as a natural phenomenon constructed by the psyche, a transspecies of perception and consciousness that changes, enlarges and expands life’s experiences and casts them in a different light, offering new opportunities for creating action and new solutions to problems by inserting new, original data.

“The main issues with which the sinful self was concerned were focused most clearly in Mass Events and God of Jane,” Seth told us, “since more than the other books they represent a direct confrontation, ‘attacking’ the very legitimacy of the entire concept of sin and evil, insisting more dramatically on the good intent of man’s basic impulses…. [Ruburt’s] sinful-self explanation represents a fascinating psychological document in that regard, and also shows the self’s mobility and willingness to learn and change—once the intent is made to take a stand.

“It might be of value to have Ruburt mentally ask the sinful self for a few comments on how its beliefs about the female sex were connected with its concepts of sin, and if those attitudes are changing.”